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Setup example: “ableton live – dj – TC Electronic Impact Twin User Manual

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SETUP EXAMPLE: “ABLETON LIVE – DJ”

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Ableton Live Settings

The object here is to send your “pre-listen” signal to Line

1-2 (which is also your headphones out) and the main

mix for the audience to Line 3-4 and further on to the

venue’s amplifier/speaker system.

First let us take a look at the Master section.

Three settings are important here:

– “Cue Out” sends to main outputs 1/2. These outputs

are linked to the headphones output.

– “Master Out” sends to line outputs 3/4. This is the

signal that you feed to the PA.

– Cue must be selected – as opposed to “solo”, which

is the other option. Press the button to alternate

between the two settings.

Now we need to link two tracks to Cue Out and Master Out.

Here, we have linked track 1 to

Master Out – this is the signal

the audience will hear.

On track 2, we have pressed the

Headphones button – this track is

sent to Cue Out.

TC Near Patch Bay Example – DJ pre-listen

The object here is sending a) the track you want to

pre-listen to your headphones and b) the main mix for

the audience to a separate channel set.

In the TC Near Patch bay, we send FW 1-2 to Line

(main) outputs 1-2 and TC Near’s Mixer out to line

outputs 3-4.

TC Near Mixer Settings

To send the main mix on Line 3-4,

“FW 3-4” must be selected in TC

Near’s Master module.

The described settings for this

example can be recalled as a

preset via Impact Twin’s file

menu.

SETUP EXAMPLE: “ABLETON LIVE – DJ”

This example illustrates how Impact Twin can

be perfectly integrated into a live setup. The

components of such a live setup could be:

• A DAW/laptop playing audio files.

• Headphones for undisturbed cue monitoring using the

OUTPUT level control for separate headphone levels.

• Microphone for vocals, utilizing Impact Twin’s

IMPACT™ pre-amps and Channel strip.

• MIDI controllers for playing additional chords or

melodies and/or sending program changes.

• Distribution to PA on output channels 3/4.

Connect all devices according to the illustration above.

If you are using a condenser microphone, remember to

activate the +48V phantom power. Also note that outputs

3/4 in this setup are used as main outs to the PA.

Advantage of this Setup

This setup enables you to route different signals to the

headphones and PA system via the DAW. This is useful

for numerous purposes. E.g., this setup allows excellent

cue monitoring for DJs, allowing for individual level

control of the two signals.

On the following page, we will show you how to

make the required settings in Ableton Live and the

TC Near Patch bay.