Yamaha PSR-520 - Manual (Page 33)

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Using Auto Accompaniment
● NORMAL
This is the default FINGERED accompaniment mode. The NORMAL
mode lets you finger your own chords on the left-hand section of the
keyboard (i.e. all keys to the left of and including the split-point key —
normally 54) while the PSR-520 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED mode will accept the chord types listed below (notes in
parentheses may be omitted).
Csus
Cm add 9
CM C 6 Cm 7 C CMadd C Caug CM
9
Cm 11
Cm
Cm
( ) ( ) ( )
( )
CmM 9 CmM 7
C
C Cdim 7 C sus 4 Cdim
C
( )
( )
7 7 CM # 11
( )
9
( )
9 6
Cm 6
Cm b 5 7 9 7
( ) ( )
7
9
7
( )
C # 11
7 C 13
7
( )
C b 9 7
( )
C b 13 7 C # 9 7
( )
CM aug 7 C aug 7 4 1+2+5
C b 5 7
( ) ( )
( )
( )
( ) ( )
Example for “C” chords
Chord (C) Display
C C
C6 C6
CM7 CM7
CM7 # 11 CM7( # 11)
CMadd9 CM(9)
CM9 CM7(9)
C6 9 C6(9)
Caug Caug
Cm Cm
Cm6 Cm6
Cm7 Cm7
Cm7 b 5 Cm7 b 5
Cmadd9 Cm(9)
Cm9 Cm7(9)
Cm11 Cm7(11)
CmM7 CmM7
CmM9 CmM7(9)
Cdim Cdim
Cdim7 Cdim7
C7 C7
C7sus4 C7sus4
C7 b 5 C7 b 5
C7 9 C7(9)
C7 # 11 C7( # 11)
C7 13 C7(13)
C7 b 9 C7( b 9)
C7 b 13 C7( b 13)
C7 # 9 C7( # 9)
CM7aug CM7aug
C7aug C7aug
Csus4 Csus4
C1+2+5 C
• If you play any three adjacent
keys (including black keys), the
chord sound will be cancelled
and only the rhythm instruments
will continue playing (CHORD
CANCEL function).
• An octave (1+8) produces ac-
companiment based only on the
root.
• A perfect fifth (1+5) produces
accompaniment based only on
the root and fifth which can be
used with many major and minor
chords.
• The chord fingerings listed are all
in “root” position, but other inver-
sions can be used — with the
following exceptions:
* 6 chords are only recognized
in root position. All other inver-
sions are interpreted as m7.
* 6 9 chords are only recognized
in root position. All other inver-
sions are interpreted as m11.
* m6 chords are only recognized
in root position. All other inver-
sions are interpreted as m7
b 5.
* 1+2+5 chords are only recog-
nized in root position. All other
inversions are interpreted as
sus4.
* With aug and dim7 chords the
lowest note played is assumed
to be the root.
* With 7 # 11 and 7 b 5 chords the
lowest note played is assumed
to be the root or
b 7.
Chord Name/[Abbreviation] Normal Voicing
Major [M] 1-3-5
Major sixth [6] 1-(3)-5-6
Major seventh [M7] 1-3-(5)-7
Major seventh sharp eleventh [M7 # 11] 1-(2)-3- # 4-(5)-7
Major add ninth [Madd9] 1-2-3-5
Major ninth [M9] 1-2-3-(5)-7
Major sixth add ninth [6 9] 1-2-3-(5)-6
Augmented [aug] 1-3- # 5
Minor [m] 1- b 3-5
Minor sixth [m6] 1- b 3-5-6
Minor seventh [m7] 1- b 3-(5)- b 7
Minor seventh flatted fifth [m7 b 5] 1- b 3- b 5- b 7
Minor add ninth [madd9] 1-2- b 3-5
Minor ninth [m9] 1-2- b 3-(5)- b 7
Minor eleventh [m11] 1-(2)- b 3-4-5-( b 7)
Minor major seventh [mM7] 1- b 3-(5)-7
Minor major ninth [mM9] 1-2- b 3-(5)-7
Diminished [dim] 1- b 3- b 5
Diminished seventh [dim7] 1- b 3- b 5-6
Seventh [7] 1-3-(5)- b 7
Seventh suspended fourth [7sus4] 1-4-5- b 7
Seventh flatted fifth [7 b 5] 1-3- b 5- b 7
Seventh ninth [7 9] 1-2-3-(5)- b 7
Seventh sharp eleventh [7 # 11] 1-2-3- # 4-(5)- b 7 or
1-(2)-3- # 4-5- b 7
Seventh thirteenth [7 13] 1-3-(5)-6- b 7 or
2-3-5-6- b 7
Seventh flatted ninth [7 b 9] 1- b 2-3-(5)- b 7
Seventh flatted thirteenth [7 b 13] 1-3-5- b 6- b 7
Seventh sharp ninth [7 # 9] (1)- # 2-3-(5)- b 7
Major seventh augmented [M7aug] 1-3- # 5-7
Seventh augmented [7aug] (1)-3- # 5- b 7
Suspended fourth [sus4] 1-4-5
One plus two plus five [1+2+5] 1-2-5