Yamaha RX-V663 - Manual (Page 124)

Glossary
■ Audio and video synchronization
(iip sync)
Lip sync, an abbreviation for lip synchronization, is a technical
term that involves both a problem and a capability of maintaining
audio and video signals synchronized during post-production and
transmission. Whereas the audio and video latency requires
complex end-user adjustments, HDMI version 1.3 incorporates an
automatic audio and video syncing capability that allows devices
to perform this synchronization automatically and accurately
without user interaction.
■ Bi-amplification connection
A bi-amplification connection uses two amplifiers for a speaker.
One amplifier is connected to the woofer section of a loudspeaker
while the other is connected to the combined mid and tweeter
section. With this arrangement each amplifier operates over a
restricted frequency range. This restricted range presents each
amplifier with a much simpler job and each amplifier is less likely
to influence the sound in some way. The internal crossover of the
speaker consists of a LPF (low pass filter) and a HPF (high pass
filter). As its name implies, the LPF passes frequencies below a
cutoff and rejects frequencies above the cutoff frequency.
Likewise, the HPF passes frequencies above its cutoff.
■ Component video signal
With the component video signal system, the video signal is
separated into the Y signal for the luminance and the P b and P r
signals for the chrominance. Color can be reproduced more
faithfully with this system because each of these signals is
independent. The component signal is also called the “color
difference signal” because the luminance signal is subtracted
from the color signal. A monitor with component input jacks is
required in order to output component signals.
■ Composite video signal
With the composite video signal system, the video signal is
composed of three basic elements of a video picture: color,
brightness and synchronization data. A composite video jack on a
video component transmits these three elements combined.
■ Deep Color
Deep Color refers to the use of various color depths in displays,
up from the 24-bit depths in previous versions of the HDMI
specification. This extra bit depth allows HDTVs and other
displays go from millions of colors to billions of colors and
eliminate on-screen color banding for smooth tonal transitions
and subtle gradations between colors. The increased contrast ratio
can represent many times more shades of gray between black and
white. Also Deep Color increases the number of available colors
within the boundaries defined by the RGB or YCbCr color space.
■ Dolby Digital
Dolby Digital is a digital surround sound system that gives you
completely independent multi-channel audio. With 3 front
channels (front L/R and center), and 2 surround stereo channels,
Dolby Digital provides 5 full-range audio channels. With an
additional channel especially for bass effects, called LFE (Low
Frequency Effect), the system has a total of 5.1-channels (LFE is
counted as 0.1 channel). By using 2-channel stereo for the
surround speakers, more accurate moving sound effects and
surround sound environment are possible than with Dolby
Surround. The wide dynamic range from maximum to minimum
volume reproduced by the 5 full-range channels and the precise
sound orientation generated using digital sound processing
provide listeners with unprecedented excitement and realism.
With this unit, any sound environment from monaural up to a 5.1-
channel configuration can be freely selected for your enjoyment.
■ Dolby Digital EX
Dolby Digital EX creates 6 full-bandwidth output channels from
5.1-channel sources. This is done using a matrix decoder that
derives 3 surround channels from the 2 in the original recording.
For the best results, Dolby Digital EX should be used with movie
sound tracks recorded with Dolby Digital Surround EX. With this
additional channel, you can experience more dynamic and
realistic moving sound especially with scenes with
“fly-over” and “fly-around” effects.
■ Dolby Digital Plus
Dolby Digital Plus is an advanced audio technology developed
for high-definition programming and media including HD
broadcasts, HD DVD, and Blu-ray Disc. Selected as a mandatory
audio standard for HD DVD and as an optional audio standard for
Blu-ray Disc, this technology delivers multichannel sound with
discrete channel output. Supporting bitrates up to 6.0 Mbps,
Dolby Digital Plus can carry up to 7.1 discreet audio channels
simultaneously. Supported by HDMI version 1.3 and designed for
the optical disc players and AV receivers/amplifiers of the future,
Dolby Digital Plus also remains fully compatible with the
existing multichannel audio systems that incorporate Dolby
Digital.
■ Dolby Pro Logic II
Dolby Pro Logic II is an improved technique used to decode vast
numbers of existing Dolby Surround sources. This new
technology enables a discrete 5-channel playback with 2 front left
and right channels, 1 center channel, and 2 surround left and right
channels instead of only 1 surround channel for conventional Pro
Logic technology. There are three modes available: “Music
mode” for music sources, “Movie mode” for movie sources and
“Game mode” for game sources.
■ Dolby Pro Logic llx
Dolby Pro Logic IIx is a new technology enabling discrete multi­
channel playback from 2-channel or multi-channel sources. There
are three modes available: “Music mode” for music sources,
“Movie mode” for movie sources (for 2-channel sources only)
and “Game mode” for game sources.
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