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Axs 6 dynamic instrument microphone, Specifications, Furnished accessories – Shure AXS1 User Manual

Page 12: Optional accessories

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11

AXS 6 DYNAMIC INSTRUMENT MICROPHONE

The AXS 6 is a high output dynamic microphone designed for profes-
sional sound reinforcement and studio recording. Typical applications
include close miking of tom-toms and other percussion instruments,
as well as guitar amplifiers, brass instruments, and woodwinds.

The AXS 6 features a smooth, extended frequency response that is
ideal for a wide variety of instruments. Its cardioid pickup pattern is
consistent throughout its frequency range, ensuring high gain before
feedback, maximum rejection of unwanted sound, and minimum off-
axis sound coloration. A neodymium magnet provides higher output
and a greater signal-to-noise ratio.

A steel mesh grille, die-cast handle, and superior shock mount system
allow it to maintain its high performance through even the roughest en-
vironments. A built-in, locking stand adapter allows easy positioning
and installation.

SPECIFICATIONS

Type: Dynamic

Polar Pattern: Cardioid (unidirectional), symmetrical about axis
(Figure 6)

Frequency Response: 80 to 15,000 Hz (Figure 6)

Output Impedance: 150

rated (290

actual)

Output Level (at 1,000 Hz): –54.0 dBV/Pa (2.00 mV) open circuit
voltage*

*0 dB = 1 V

bar

Polarity: Positive pressure on diaphragm produces positive voltage
on pin 2 relative to pin 3 of microphone output connector

Operating Temperature Range: –29

°

to 57

°

C (–20

°

to 135

°

F), at

0 to 95% relative humidity.

Connector: 3-pin professional audio (XLR)

Case: Die cast zinc, black paint finish, tapered grille

Stand Adapter: Built-in, locking, 180

_

swivel,

5

/

8

–27 thread

Dimensions: 105 mm L x 49.5 mm W (4.13” L x 1.95” W)

Net Weight: 320 grams (11.28 oz.)

FURNISHED ACCESSORIES

Storage Bag

26A13

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OPTIONAL ACCESSORIES

Windscreen (7 colors available)

A58WS Series

. . . . . . . . . . . . . .

7.6 m (25 ft) Cable (XLR to XLR)

C25J

. . . . . . . . . . . . . . . . . . . . .