Axs 6 dynamic instrument microphone, Specifications, Furnished accessories – Shure AXS1 User Manual
Page 12: Optional accessories
11
AXS 6 DYNAMIC INSTRUMENT MICROPHONE
The AXS 6 is a high output dynamic microphone designed for profes-
sional sound reinforcement and studio recording. Typical applications
include close miking of tom-toms and other percussion instruments,
as well as guitar amplifiers, brass instruments, and woodwinds.
The AXS 6 features a smooth, extended frequency response that is
ideal for a wide variety of instruments. Its cardioid pickup pattern is
consistent throughout its frequency range, ensuring high gain before
feedback, maximum rejection of unwanted sound, and minimum off-
axis sound coloration. A neodymium magnet provides higher output
and a greater signal-to-noise ratio.
A steel mesh grille, die-cast handle, and superior shock mount system
allow it to maintain its high performance through even the roughest en-
vironments. A built-in, locking stand adapter allows easy positioning
and installation.
SPECIFICATIONS
Type: Dynamic
Polar Pattern: Cardioid (unidirectional), symmetrical about axis
(Figure 6)
Frequency Response: 80 to 15,000 Hz (Figure 6)
Output Impedance: 150
Ω
rated (290
Ω
actual)
Output Level (at 1,000 Hz): –54.0 dBV/Pa (2.00 mV) open circuit
voltage*
*0 dB = 1 V
/µ
bar
Polarity: Positive pressure on diaphragm produces positive voltage
on pin 2 relative to pin 3 of microphone output connector
Operating Temperature Range: –29
°
to 57
°
C (–20
°
to 135
°
F), at
0 to 95% relative humidity.
Connector: 3-pin professional audio (XLR)
Case: Die cast zinc, black paint finish, tapered grille
Stand Adapter: Built-in, locking, 180
_
swivel,
5
/
8
–27 thread
Dimensions: 105 mm L x 49.5 mm W (4.13” L x 1.95” W)
Net Weight: 320 grams (11.28 oz.)
FURNISHED ACCESSORIES
Storage Bag
26A13
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
OPTIONAL ACCESSORIES
Windscreen (7 colors available)
A58WS Series
. . . . . . . . . . . . . .
7.6 m (25 ft) Cable (XLR to XLR)
C25J
. . . . . . . . . . . . . . . . . . . . .