Tipt p, Mute row 1 mute row 2 mute row 3, Hats909 mix – Tiptop Trigger Riot User Manual
Page 6: Modes mode select button
Riot Patch 3: OK this thing is really crazy, give me more
6
MUTE/
SEL A
MUTE/SEL1
MUTE/SEL2
MUTE/SEL3
MUTE/SEL4
MUTE/
SEL B
MUTE/
SEL C
MUTE/
SEL D
HOLD ON POWER-UP
TO LOAD USB
+
+
+
+
T r i g g e r R i o t
A
1
2
3
B
C
D
4
3
2
1
4
A
B
C
D
IN
CLOCK
OUT
INDEPENDENT
/MATRIX
IN
RESET
OUT
TAP
TEMPO
P1
P2
P3
P4
B1
beat
sync
B2
B3
B4
BPM/
CYCLE RST/CLR
BOSS
reset F/L
clock source
DinSync
DIVIDE
MODE
STEPS PROBABILITY SPEED
TIME
SHIFT
CLOCK
SHIFT
PULSE
WIDTH
Tipt p
A u d i o
loop
start
end
MASTER
KNOB
1
5
9
2
6
10
MUTE ROW 1
MUTE ROW 2
MUTE ROW 3
Module used:
Trigger Riot
BD808
SD808
HATS909
DECAY
ACCENT
BD OUT
GATE IN
ACCENT IN
TONE
Tiptop
Audio
L E V E L
BD808
Tiptop
Audio
L E V E L
SNAPPY
ACCENT
SD OUT
GATE IN
ACCENT IN
SD808
TONE
+
+
T U N E
FM
modulation
source
RAW
CH GATE
OH GATE
FM/AM
L E V E L
ACCENT
HATS OUT
VC-TUNE
ACCENT IN
CV IN
Tiptop
Audio
CH DECAY
OH DECAY
AM
909
hats909
MIX
3
7
4
8
11
12
MODES
MODE SELECT BUTTON
Lets start again by connecting OUT 1 to BD808, OUT 2 to SD808 and lets
patch OUT 3 to Open Hi-Hats 909. Lets press and hold RST/CLR button to
make sure we start from scratch..
Lets set Knob 1 to 4, Knob 5 to 8, and knob 9 to 4. All three sounds will play.
You will notice that the hats hit right on the bass drum, because both are set
to 4. Click on the MODE button few times ‘til you get to CLOCK SHIFT, now
turn Knob 9 to shift the hats hits, set it to 2, you have just shifted this
trigger by two clock cycles.
Click on MODE again to get back to DIVIDE, turn Knob 10 to 32, you will
notice a break in the hats, this is done by overlapping the trigger with a long
gate pulse. Click on MODE to get to PULSE WIDTH, turn Knob 10 to set a
pulse width of 0, you will notice as you do that how the overlapping gets shorter
and more triggers that were covered by the long pulse show up again. As you
can see the Trigger Riot is both a Gate and a Trigger Sequencer combined
and the interaction of the two can be creative.
1.
2.