Roland SBX-1000 - Manual (Page 13)

I Program Change Messages
1Ш131
These MIDI messages are used to select sound programs
by specifying a program number of 1—128.
О Recording on the SBX-1000
This data can be recorded to either the cue sheet or
the sequencer. “Prog.Chg(P.Chg)” is displayed on the
screen.
the tempo in real time by using the value dial or the numeric
keypad, ( ct -P.59, “Manual I")
Manual control is possible only with the tempo controller
and is impossible to control from the cue sheet.
■ Measure BSII
This indicates the measure or measure number.
TEMPO
iProgrammed Tempo Control TEMPO
The tempo controller of the SBX-1000 is used to create
tempo programs, and this tempo data is used to control the
tempo of the connected sequencer or rhythm machine. (
P.61, "Manual I ’’)
Program tempo control can be started automatically if the
sequencer start event is registered in the cue sheet.
■ Paste Buffer
Note: Data which is cut or copied by pressing | CUT | or
I COPY I is temporarily stored in the paste buffer. The data in
the paste buffer is retained until the same data is cut or
copied again, or until the power is turned off. Press the
I
PASTE
I
key to paste (insert) the data.
I Velocity {¡¡ЮН
The force (or, more accurately, the speed) with which you
play a key is called the "velocity." Velocity data is part of the
note message which is transmitted when a note is played.
■ Polyphonic Aftertouch ■flliril
(o- "Aftertouch Data")
■ Microscope EISI
The Microscope screen allows you to view individual events
of tracks and Patterns of the sequencer. Each line of the
Microscope screen displays one event.
I Manual Tempo Control TEMPO
This function sets the standard tempo of the tempo
controller, which controls the tempo of the sequencer or
rhythm machine.
This is effective when playing the song at the same tempo
from the beginning to the end. It is also possible to change
■ Metronome
The metronome sounds when playing the tempo with the
tempo controller or during recording. You can adjust the
volume of the metronome by rotating the METRONOME
LEVEL dial on the upper right side of the panel. Set the
volume level to 0 to turn the metronome sound off.
The metronome can also be triggered by the sequencer.
Specify when you want to hear the metronome from the
“Metronome” parameter displayed at the bottom left corner
of the [Sequencer] screen.
■ Real Time Input
With this method, both the data and the timing at which it is
entered is recorded. Tap input, audio trigger input and
performance data from a connected MIDI keyboard can all
be recorded in real time.
Events of the cue sheet, tempo data of the tempo program,
and the events of tracks and Patterns of the sequencer can
be entered in real time.
cr- P.37, “Manual I ” for information about tap and
audio trigger input for the cue sheet,
o- P.40, “Manual I ’’ for information about MIDI
keyboard input for the cue sheet,
cr P.63, “Manual I" for information about tap and
audio trigger input for the tempo program.
P.21, "Manual II (Sequencer)" for information
about real time input for Standard-type tracks,
o- P.26, “Manual II" for information about real time
entry of Patterns.
I Rehearsal Mark 155*1
Rehearsal Marks allow you to divide a song into sections
such as intro, first chorus, interlude, etc., and assign a
name of up to 4 characters to each.
Rehearsal Marks can be conveniently used for selecting the
starting position of playback and specifying a section of the
song for editing, (o- p.47, “Manual II for the sequencer")
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