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2 unbalanced coaxial connections (spdif), 3 optical connections (spdif) – Behringer SRC2000 User Manual

Page 12

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12

signal flow

unit A output

AES/EBU

ULTRAMATCH

input

1

2

3

2

1

3

shield

cable

Fig.3.1: Balanced Connections (AES / EBU) to the ULTRAMATCH

3.3.2 Unbalanced Coaxial Connections (SPDIF)
The figure below shows how to connect the unbalanced inputs and outputs correctly by means of RCA

cables. Basically, the connections are identical to unbalanced audio connections in stereo systems, for

example when connecting a CD player to an amplifier.
Good results have been achieved independently of the selected cable. We recommend to use conventional

line cables with a length of less than 10 m. However, for longer distances or exacting demands, use XLR or

TOSLINK cables.

signal flow

shield

tip

tip

sleeve

sleeve

cable

unit A output

S/PDIF

ULTRAMATCH

input

Fig.3.2: Unbalanced Connections (SPDIF) to the ULTRAMATCH

3.3.3 Optical Connections (SPDIF)
The figure below shows how to connect the optical inputs and outputs correctly. The optical system called

TOSLINK makes use of other connectors than the ones employed in light wave conduction, though the sys-

tems are basically identical.
Optical connections are naturally unaffected by electric interference, easy to connect, and amazingly rugged.

Unfortunately, they are said to cause extremely high jittering in the data stream, thus decreasing the sound

quality of the decoded audio signal significantly although this „fairy tale“ has not been proved yet. What is

more, optical connections do not cause any jittering even at cable lengths of 10 m (whereas in practice there

are often problems caused by transition resistors in RCA plugs or damaged cables). The real problems of

distribution of standard (and customized) cables and their excessive prices.

3. INSTALLATION