AKG Acoustics WMS 40 - Manual (Page 83)

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Saxophone:
Clip the C 419 L or D 409 on to the bell of the saxophone,
align it with the edge and listen to the sound to identify the
best position. For subtone playing, turn the microphone
toward the center of the bell (marked wind noise!).
Trombone:
Clip the C 419 L or D 409 on to the bell of the trombone, and
try out different positions to identify the ideal one. When
playing with a mute, bend the gooseneck out of the "danger
area."
Tubas:
Clip the C 419 L or D 409 on to the bell of the instrument,
and try out different positions. If you get a lot of wind noise,
adjust the microphone to align with the edge or use a wind-
screen.
Clarinet:
Always use two microphones.
Direct one microphone (e.g., C 535 or C 5900) toward the
keys, the other toward the bell – the C 419 L or D 409 are
ideally suited for this purpose.
Trumpet:
Clip the C 419 L or D 409 on to the bell of the trumpet. Use
the gooseneck to position the microphone as far away from
the instrument as possible, but turn it toward the bell. The
ultimate sound will depend on the microphone position –
just try it out!
Flute:
Direct the C 420 L toward the embouchure. Slightly turn to
one side to reduce wind noise if necessary.
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