Anthem D2 - Manual (Page 69)

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Dimension: Adjust using MCK (or N/S keys)
Front-to-back balance – Center (C----+----S) Surrounds
Dolby PLIIx Music (7.1)
AnthemLogic-Music (6.1)
Stereo (2-Ch) Press MODE
presets are in
setup menu
Cycle through modes and THX using Master Control Knob or keys on remote control.
If THX Cinema
is selected,
mode changes
to PLIIx Movie.
Press Mode Once Center Width: Adjust using MCK (or N/S keys)
Increasing # decreases center level and places it into L/R
DTS Neo:6 Music (6.1) Press Mode Center Image: Adjust using MCK (or N/S keys)
Increasing the number makes center more prominent
Dolby Pro Logic (4.1)
Dolby PLIIx Movie (7.1)
Press Mode Twice
AnthemLogic-Cinema (7.1)
Press Mode 3 Times Panorama: On using MCK (or N/S keys)
Extends the front stereo image to include surrounds
4.8.7 Mode and THX Operation for 2.0-Channel Source Material – To make all modes available, turn THX Off.
4. OPERATION
continued …
THX Options
Press THX
Press THX Twice
LOGIC LOGIC
THX Cinema
Processing – Re-EQ, Timbre Matching, Adp.Decorrelation
Output channels – LF, C, RF, RS, LS, Sub
THX Cinema
Processing – Re-EQ, Timbre Matching
Output channels – All
THX Games Mode
Processing – Timbre Matching, ASA (Game)
Output channels – All
Dolby PLIIx Matrix (7.1)
Dolby PLIIx Game (7.1)
RE-EQ: On/Off using MCK (or N/S keys)
All Channel Stereo (7.1)
All Channel Mono (7.1)
Mono (1.1)
Mono Academy (1.1)
DTS Neo:6 Cinema (6.1) Press THX
Press THX Twice
THX Cinema
Processing – Re-EQ, Timbre Matching
Output channels – LF, C, RF, RS, Rear, LS, Sub
RE-EQ: On/Off using MCK (or N/S keys)
THX Options
THX Options
If THX Games
is selected,
mode changes
to PLIIx Game.
Press THX Twice RE-EQ: On/Off using MCK (or N/S keys)
Press THX
Selections are memorized separately for each source and for Dolby Digital Surround 2.0-flagged vs unflagged material.
THX Processing:
• Re-Equalization – De-emphasizes treble. Not applicable to THX Games Mode.
• Timbre Matching – Matches the sound character, or timbre, of the surround channels to the front channels.
• Adaptive Decorrelation – When the source has one surround channel, adjusts time and phase to restore spaciousness.
• ASA
– Surround and rear channels are processed to provide a wide rear soundstage.