Yamaha PSR-530 - Manual (Page 34)

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Auto Accompaniment
● F1: The FINGERED 1 Mode
The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPA-
NIMENT section of the keyboard (i.e. all keys to the left of and including the split-
point key — normally 54) while the PSR-530 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode recognizes the following chords:
F1 FngrngMd
• Notes in parentheses
can be omitted.
• If you play any three
adjacent keys (includ-
ing black keys), the
chord sound will be
cancelled and only
the rhythm instru-
ments will continue
playing (CHORD
CANCEL function).
• Playing a single key
or two same root keys
in the adjacent oc-
taves produces ac-
companiment based
only on the root.
• A perfect fifth (1 + 5)
produces accompani-
ment based only on
the root and fifth
which can be used
with both major and
minor chords.
• The chord fingerings
listed are all in “root”
position, but other in-
versions can be used
— with the following
exceptions:
m7, m7 b 5, 6, m6,
sus4, aug, dim7,
7
b 5, 6(9), m7(11),
1+2+5.
• Inversion of the 7sus4
chord are not recog-
nized if the 5th is
omitted.
• The AUTO ACCOM-
PANIMENT will some-
times not change
when related chords
are played in se-
quence (e.g. some
minor chords followed
by the minor seventh).
• Two-note fingerings
will produce a chord
based on the previ-
ously played chord.
Chord Name/[Abbreviation] Normal Voicing
Major [M] 1 - 3 - 5
Add ninth [(9)] 1 - 2 - 3 - 5
Sixth [6] 1 - (3) - 5 - 6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6
Major seventh [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7( # 11)] 1 - (2) - 3 - # 4 - 5 - 7 or
1 - 2 - 3 - # 4 - (5) - 7
Flatted fifth [( b 5)] 1 - 3 - b 5
Major seventh flatted fifth [M7 b 5] 1 - 3 - b 5 - 7
Suspended fourth [sus4] 1 - 4 - 5
Augmented [aug] 1 - 3 - # 5
Major seventh augmented [M7aug] 1 - (3) - # 5 - 7
Minor [m] 1 - b 3 - 5
Minor add ninth [m(9)] 1 - 2 - b 3 - 5
Minor sixth [m6] 1 - b 3 - 5 - 6
Minor seventh [m7] 1 - b 3 - (5) - b 7
Minor seventh ninth [m7(9)] 1 - 2 - b 3 - (5) - b 7
Minor seventh add eleventh [m7(11)] 1 - (2) - b 3 - 4 - 5 - ( b 7)
Minor major seventh [mM7] 1 - b 3 - (5) - 7
Minor major seventh ninth [mM7(9)] 1 - 2 - b 3 - (5) - 7
Minor seventh flatted fifth [m7 b 5] 1 - b 3 - b 5 - b 7
Minor major seventh flatted fifth [mM7 b 5] 1 - b 3 - b 5 - 7
Diminished [dim] 1 - b 3 - b 5
Diminished seventh [dim7] 1 - b 3 - b 5 - 6
Seventh [7] 1 - 3 - (5) - b 7 or
1 - (3) - 5 - b 7
Seventh flatted ninth [7( b 9)] 1 - b 2 - 3 - (5) - b 7
Seventh add flatted thirteenth [7( b 13)] 1 - 3 - 5 - b 6 - b 7
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b 7
Seventh add sharp eleventh [7( # 11)] 1 - (2) - 3 - # 4 - 5 - b 7 or
1 - 2 - 3 - # 4 - (5) - b 7
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b 7
Seventh sharp ninth [7( # 9)] 1 - # 2 - 3 - (5) - b 7
Seventh flatted fifth [7 b 5] 1 - 3 - b 5 - b 7
Seventh augmented [7aug] 1 - 3 - # 5 - b 7
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b 7
One plus two plus five [1+2+5] 1 - 2 - 5
Chord (C) Display
C C
C(9) C(9)
C6 C6
C6(9) C6(9)
CM7 CM7
CM7(9) CM7(9)
CM7( # 11) CM7( # 11)
C( b 5) C( b 5)
CM7 b 5 CM7 b 5
Csus4 Csus4
Caug Caug
CM7aug CM7aug
Cm Cm
Cm(9) Cm(9)
Cm6 Cm6
Cm7 Cm7
Cm7(9) Cm7(9)
Cm7(11) Cm7(11)
CmM7 CmM7
CmM7(9) CmM7(9)
Cm7 b 5 Cm7 b 5
CmM7 b 5 CmM7 b 5
Cdim Cdim
Cdim7 Cdim7
C7 C7
C7( b 9) C7( b 9)
C7( b 13) C7( b 13)
C7(9) C7(9)
C7( # 11) C7( # 11)
C7(13) C7(13)
C7( # 9) C7( # 9)
C7 b 5 C7 b 5
C7aug C7aug
C7sus4 C7sus4
C1+2+5 C