Yamaha PLG100-XG - Manual (Page 13)

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Parameters
Performance Parameters
Bank Select MSB/LSB 0...127 Determines the bank number (by MSB and LSB) of the Part's voice.
Program Number 1...128 Determines the specific voice (by program number) of the Part.
Receive Channel 1...16, off Determines the MIDI receive channel for the Performance.
Velocity Limit Low 1...127 Determines the lowest velocity at which the Part's voice will play.
Velocity Limit High 1...127 Determines the highest velocity at which the Part's voice will play.
Note Limit Low C-2...G8 Determines the lowest responding note for the Part's voice.
Note Limit High C-2...G8 Determines the highest responding note for the Part's voice.
Pitch Bend Range -24...+24 Determines the pitch range of the MIDI Pitch Bend (in semitone steps).
Velocity Sense Depth 0...127 Determines the degree to which velocity affects the Part's voice.
Velocity Sense Offset 0...127 Boosts or reduces all velocity values for the Part's voice by the specified amount, letting you tailor
how the level responds to your playing touch.
Volume 0...127 Determines the overall level of the Part's voice.
Pan RND, L63...C...R63 Determines the stereo position of the Part's voice.
Detune -12.8...+12.7[Hz] Determines the fine tuning of the Part's voice in 0.1-Hz increments.
Reverb Send 0...127 Determines the level of the Part's voice that is sent to the Reverb effect, letting you adjust the amount
of the Reverb applied to the voice.
Chorus Send 0...127 Determines the level of the Part's voice that is sent to the Chorus effect, letting you adjust the
amount of the Chorus applied to the voice.
Note Shift -24...+24[semitone] Determines the key transposition setting for the Part's voice (in semitone steps).
Filter Cutoff Frequency -64...+63 Determines the cutoff frequency of the low pass filter.
Filter Resonance/Width -64...+63 Determines the amount of filter resonance or emphasis of the Filter Cutoff Frequency above; it also
affects the width of the frequency range to which resonance is applied.
Portamento Switch off, on Determines whether Portamento (continuous pitch glide) is on or off for the Part's voice.
Portamento Time 0...127 Determines the time of the Portamento effect (how long it takes to slide the pitch from one note to the
next).
AEG Attack Time -64...+63 Determines the time it takes for the sound to reach full volume when a note is played.
AEG Decay2 Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (as the note is held).
AEG Release Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (after the note is released).
MW Filter Control -64...+63 Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency (low pass
filter).
MW Amplitude Control -64...+63 Determines the degree to which the modulation wheel affects the volume (amplitude).
MW LFO Pitch
Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled pitch modulation.
MW LFO Filter
Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled Filter modulation
(produces a “wah-wah” effect).
MW LFO Amplitude
Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled amplitude (volume)
modulation.
CAT Pitch Control -24...+24[semitone] Determines the degree to which channel after touch affects the pitch.
CAT Filter Control -64...+63 Determines the degree to which channel after touch affects the Filter.
CAT Amplitude Control -64...+63 Determines the degree to which channel after touch affects the volume (amplitude).
CAT LFO Pitch
Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled pitch modulation.
CAT LFO Filter
Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled Filter modulation
(produces a “wah-wah” effect).
CAT LFO Amplitude
Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled amplitude (volume)
modulation.
AC1 Controller Number 0...95 Determines which MIDI control change number is assigned to Assignable Controller 1 (AC1) for the
selected Part.
AC1 Filter Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the Cutoff Frequency of the
Filter.
AC1 Amplitude Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the volume (amplitude).
AC1 LFO Pitch
Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled pitch mod-
ulation.
AC1 LFO Filter
Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled Filter mod-
ulation (produces a “wah-wah” effect).
AC1 LFO Amplitude
Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled amplitude
(volume) modulation.
System Parameters
Master Volume 0...127 Determines the overall volume of the PLG100-XG.
Master Note Shift -24...+24[semitone] Determines the overall key transposition setting of the PLG100-XG (in semitone steps).
Master Tune -102.4...+102.3[cent] Determines the overall fine tuning setting of the PLG100-XG (in 0.1-cent increments).