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03d applications 81 – Yamaha 03D User Manual

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03D Applications 81

Yamaha 02R & 03D Applications Guide

03D

Sound Localization & Sound Image Control (Using Hass Effect)

Using the bus assign, the main PA sound can be positioned to match that of the sound
source. Delays in multiple speaker systems can be compensated using the bus output delays
(Hass Effect).

In a large or medium-sized church or hall with rear or side speakers, where the sound image
needs to direct listeners towards the presenter or sound source, adding a small delay of
between 10 and 20 milliseconds to the rear speakers gives the impression that the presenter
is actually located in front, not behind (Hass Effect). Each 03D output can be delayed by up
to 40 milliseconds.

To achieve the Hass Effect, a small delay must be used in addition to the delay used to
compensate for speaker distance. For example, if the distance between the front and rear
speakers is 30 meters, the speaker distance compensation delay will be 87 milliseconds
(30/344 = 0.087, where 344 is the speed of sound). To this a small delay of between 10 and
20 milliseconds should be added to achieve the Hass Effect.

Formula for setting total delay is

(distance between front and rear speakers/344) + 10–20 ms

Stereo out

03D

Delay

10–20 ms

Delay

10–20 ms

Delay

10–20 ms

Delay

10–20 ms

Front

Stereo out

Bus out

Bus out

Bus out

Bus out

Rear

PHONES

PHONES

+10

–34

–60

–16

26dB

1

+10

–34

–60

–16

26dB

2

+10

–34

–60

–16

26dB

3

+10

–34

–60

–16

26dB

4

+10

–34

–60

–16

26dB

5

+10

–34

–60

–16

26dB

6

+10

–34

–60

–16

26dB

7

+10

–34

–60

–16

26dB

8

+10

–20

+10

9

GAIN

+10

–20

+10

10

GAIN

+10

–20

+10

11

GAIN

+10

–20

+10

12

GAIN

+10

–20

+10

13

GAIN

+10

–20

+10

14

GAIN

+10

–20

+10

15

GAIN

+10

–20

+10

16

GAIN

+10

–20

+10

ST IN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

10

0

SOLO/ 2TR IN

MONITOR

OUT

LEVEL

10

0

LEVEL

SCENE MEMORY

SETUP

CHANNEL CONTROL

FADER MODE

MIXING LAYER

1–16

17–24/MASTER

USER DEFINE

SOLO

RECALL

ENTER

L STEREO R

USER DEFINE

EFFECT RTN

ST IN

13–16

9–12

FADER 1–8

SCENE MEMORY

FUNCTION

SEL CH

FADER

STATUS

SCENE

MEMORY

MIDI

REMOTE

UTILITY

AUTOMIX

VIEW

HIGH

HI-MID

LO-MID

EQ LOW

AUX 1

FADER

EFFECT 1

EFFECT 2

AUX 2

AUX 3

AUX 4

EQ LIBRARY

SOLO SETUP

GROUP/PAIR

DYNAMICS

DELAY/Ø

PAN/ROUTING

MIDI

DIO

PARAMETER

CURSOR

STORE

UNDO/
REDO

CLIP

–3

–6

–9

–12

–15

–18

–24

–30

–36

–42

–48

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

SEL

ON

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

SEL

ON

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

ST IN

EFFECT
RETURN ST OUT

17

18

19

20

21

22

23

24

AUX1

AUX2

AUX3

AUX4

BUS1

BUS2

BUS3

BUS4

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

ST IN

EFFECT
RETURN

ST OUT

17

18

19

20

21

22

23

24

AUX1

AUX2

AUX3

AUX4

BUS1

BUS2

BUS3

BUS4

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

6

0

5

10

20

40
60

00

SOLO

1

2

PAD

EQ FLAT

METER

1

2

3

4

Front

Rear

Presenter

Listener

Delay