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Styles – Yamaha CVP-208 EN User Manual

Page 67

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Styles

67

CVP-210/208

* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.

Chord Name [Abbreviation]

Normal Voicing

Display for root “C”

Major [M]

1 - 3 - 5

C

Ninth [9]

1 - 2 - 3 - 5

C9

Sixth [6]

1 - (3) - 5 - 6

C6

Sixth ninth [6

9

]

1 - 2 - 3 - (5) - 6 or 3 - 6 - 2*

C6

9

Major seventh [M7]

1 - 3 - (5) - 7

CM7

Major seventh ninth [M7

9

]

1 - 2 - 3 - (5)j - 7

CM7

9

Major seventh add sharp eleventh [M7

11

]

1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 CM7

11

Flatted fifth [ 5]

1 - 3 - 5

C 5

Major seventh flatted fifth [M7

5

]

1 - 3 - 5 - 7

CM7

5

Suspended fourth [sus4]

1 - 4 - 5

Csus4

Augmented [aug]

1 - 3 - 5

Caug

Major seventh augmented [M7aug]

1 - (3) - 5 - 7

CM7aug

Minor [m]

1 - 3 - 5

Cm

Minor ninth [m9]

1 - 2 - 3 - 5

Cm9

Minor sixth [m6]

1 - 3 - 5 - 6

Cm6

Minor seventh [m7]

1 - 3 - (5) - 7

Cm7

Minor seventh ninth [m7

9

]

1 - 2 - 3 - (5) - 7 or 3 - 7 - 2

Cm7

9

Minor seventh eleventh [m7

11

]

1 - (2) - 3 - 4 - 5 - ( 7)

Cm7

11

Minor major seventh [mM7]

1 - 3 - (5) - 7

CmM7

Minor major seventh ninth [mM7

9

]

1 - 2 - 3 - (5) - 7

CmM7

9

Minor seventh flatted fifth [m7

5

]

1 - 3 - 5 - 7

Cm7 5

Minor major seventh flatted fifth [mM7

5

]

1 - 3 - 5 - 7

CmM7

5

Diminished [dim]

1 - 3 - 5

Cdim

Diminished seventh [dim7]

1 - 3 - 5 - 6

Cdim7

Seventh [7]

1 - 3 - (5) - 7 or 1 - (3) - 5 - 7

C7

Seventh flatted ninth [7

9

]

1 - 2 - 3 - (5) - 7

C7

9

Seventh add flatted thirteenth [7

13

]

1 - 3 - 5 - 6 - 7

C7

13

Seventh ninth [7

9

]

1 - 2 - 3 - (5) - 7 or 3 - 7 - 2*

C7

9

Seventh add sharp eleventh [7

11

]

1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 C7

11

Seventh add thirteenth [7

13

]

1 - 3 - (5) - 6 - 7 or 3 - 6 - 7

C7

13

Seventh sharp ninth [7

9

]

1 - 2 - 3 - (5) - 7

C7

9

Seventh flatted fifth [7

5

]

1 - 3 - 5 - 7

C7

5

Seventh augmented [7aug]

1 - 3 - 5 - 7

C7aug

Seventh suspended fourth [7sus4]

1 - 4 - 5 - 7

C7sus4

Suspended second [sus2]

1 - 2 - 5

Csus2

Chord Types Recognized in the Fingered Mode (Example for “C” chords)

C

Cm

C7

( )

CM7

( )

C9

C6

9

( )

Caug

Cm6

Cm7

( )

Cm7 5

CmM7

5

Cm7

9

( )

Cm9

CmM7

( )

CmM7

9

( )

Cdim

Cdim7

C7

9

( )

C7

13

( )

C7

9

( )

C7

13

Csus4

C7

5

C6

( )

( )

CM7

9

CM7

11

( )

CM7

5

C 5

( )

C7

11

C7

9

( )

C7aug

Cm7

11

( )

( )

CM7aug

( )

C7sus4

Csus2

• Notes in parentheses can

be omitted.

• For FINGERED, FIN-

GERED ON BASS, and AI
FINGERED, if you play
any three adjacent keys
(including black keys), the
chord sound will be can-
celed and only the rhythm
instruments will continue
playing (Chord Cancel
function). This let you play
back only the rhythm.

• Playing two same root

keys in the adjacent
octaves produces accom-
paniment based only on
the root.

• A perfect fifth (1 + 5) pro-

duces accompaniment
based on the root and the
fifth.

• The auto accompaniment

Style will sometimes not
change when related
chords are played in
sequence (e.g. some
minor chords followed by
the minor seventh).

• You can also have the

CVP-210/208 “teach” you
how to play Fingered
chords. From the CHORD
FINGERING display
(page 142), specify the
chord you want to learn,
and the notes you should
press are indicated in the
display.