Vox Valvetronix ToneLab SE - Manual (Page 24)

14
6. If you’ve connected ToneLabSE to a mixer/recorder, press the GLOBAL switch to
access the OUT SEL menu, and use value knob 6 or the
▲, ▼ buttons to select
“Ln” (LINE). If you’ve connected ToneLabSE to a guitar amp, select “AP” (AMP).
7. To adjust the volume, turn up your amp or mixer and ToneLabSE’s rear panel
LEVEL knob to a desired level (11.3).
NOTE: Since ToneLabSE uses an actual valve (vacuum tube), it will produce no
sound for several seconds until the valve warms up. This isn’t a malfunction
– it’s
just the nature of valves.
U
SING
T
ONE
L
AB
SE
WITH A MIXER OR RECORDER
E
XAMPLE OF CONNECTIONS TO A MIXER OR RECORDER
• When using ToneLabSE for direct-line recording, connect the OUTPUT L/
MONO and R jacks to the input jacks of your mixer or recorder. Press the GLO-
BAL switch to access the OUT SEL menu, and use value knob 6 or the
▲, ▼
buttons to select “Ln” (LINE).
HINT: If you’re using a mono connection, use the OUTPUT L/MONO jack only.
HINT: If you’re using a stereo connection, pan the input channels of your mixer/
recorder to the far left and right respectively.
INPUT
ToneLabSE
R
OUTPUT
L/MONO
LINE/AMP
SEND RETURN
~AC9V
PHONES
Headphones to your mixer/recorder
or guitar amp
to your MIDI
sequencer/computer
AC/AC
power supply
to an
AC outlet
External effect processor
Monaural phone jack INPUT
Guitar
INPUT
ToneLabSE
Tape
Send
Tape
Return
LINE IN 1
PAN L
LINE IN 2
PAN R
R
OUTPUT
L/MONO
MIC 1
BAL
OR UNBAL LINE IN 1 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
LINE IN 7-8
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 9-10
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 11-12
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 13-14
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL
STEREO AUX RETURNS 1
2
1
2
AUX SEND
LEFT(1/MONO) RIGHT ALL BAL/UNBAL
L
R
TAPE
INPUT TAPE OUTPUT MAIN OUTS L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER
MIC 2
BAL
OR UNBAL LINE IN 2 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 3
BAL
OR UNBAL LINE IN 3 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 4
BAL
OR UNBAL LINE IN 4 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 5
BAL
OR UNBAL LINE IN 5 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 6
BAL
OR UNBAL LINE IN 6 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
1 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
2 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20
60
30 40
50 60
30 40
50 60
30 40
50 60
30 40
50 60
30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
3 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
4 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
5 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
6 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
7–8
MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
9–10
MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
11–12 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
+15 U
+15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
13–14 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50
dB
10
5 U 5 10 20
dB
10
5 U 5 10 20
U
+10
U
+20 U
+20
1 2 AUX 1 MASTER PRE
POST NORMALLED
AUX 1
SELECT EFX TO MONITOR AUX RETURNS SOURCE MAIN
MIX LEFT RIGHT CLIP +28 +10 +7 +4 +2 0 -2 -4 -7 -10 -20 -30 0dB=0dBu RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN TO MAIN MIX NORMAL(AFL)
LEVEL SET(PFL) SOLO
MODE
PHANTOM POWER CONTROL ROOM / PHONES MAIN MIX
PHONES
Guitar
Monaural phone jack
Mixer/recorder
Headphones