Yamaha CVP-705B - Manual (Page 59)

Creating/Editing Styles (Style Creator)
CVP-709/CVP-705 Reference Manual
59
NTR/NTT
(Note
Transposition
Rule/Note
Transposition
Table) NTT
Type Selects the Note Transposition Table which determines how the notes in the Source
Pattern are transposed according to the Chord Type change.
When NTR is set to “Root Trans” or “Root Fixed”:
Bypass When NTR is set to Root Fixed, the transposition table used does not do
any note conversion. When NTR is set to Root Trans, the table used only
converts the notes by maintaining the pitch relationship between notes.
Melody Suitable for melody line transposition. Use this for melody channels such
as “Phrase1” and “Phrase2.”
Chord Suitable for chordal parts transposition. Use this for the “Chord1” and
“Chord2” channels, especially when they contain piano or guitar-like
chordal parts.
Melodic
Minor When the played chord changes from a major to a minor chord, this table
lowers the third interval in the scale by a semitone. When the chord
changes from a minor to a major chord, the minor third interval is raised
by a semitone. Other notes are not changed. Use this for melody channels
of Sections which respond only to major/minor chords, such as Intros
and Endings.
Melodic
Minor 5th In addition to the Melodic Minor transposition above, augmented and
diminished chords affect the 5th note of the Source Pattern.
Harmonic
Minor When the played chord changes from a major to a minor chord, this table
lowers the third and sixth intervals in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third and flatted
sixth intervals are raised by a semitone. Other notes are not changed. Use
this for chord channels of Sections which respond only to major/minor
chords, such as Intros and Endings.
Harmonic
Minor 5th In addition to the Harmonic Minor transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
Natural
Minor When the played chord changes from a major to a minor chord, this
table lowers the third, sixth and seventh intervals in the scale by a
semitone. When the chord changes from a minor to a major chord, the
minor third, flatted sixth and flatted seventh intervals are raised by a
semitone. Other notes are not changed. Use this for chord channels of
Sections which respond only to a major/minor chord such as Intros and
Endings.
Natural
Minor 5th In addition to the Natural Minor transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
Dorian When the played chord changes from a major to a minor chord, this
table lowers the third and seventh intervals in the scale by a semitone.
When the chord changes from a minor to a major chord, the minor third
and flatted seventh intervals are raised by a semitone. Other notes are
not changed. Use this for chord channels of Sections which respond only
to a major/minor chord such as Intros and Endings.
Dorian 5th In addition to the Dorian transposition above, augmented and
diminished chords affect the 5th note of the Source pattern.
When NTR is set to “Guitar”:
All Purpose This table covers both strummed and arpeggio-played sounds.
Stroke Suitable for strumming sounds of the guitar. Some notes may sound as if
they are muted—this is the normal condition when chords are played on
guitar by strumming.