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Editing a sound (program), Editing an analog part, Y (p. 5) – Roland JD-XA Analog/Digital Synthesizer User Manual

Page 5

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5

Editing a Sound (Program)

Editing an Analog Part

ANALOG PART

HPF

DRIVE

A-OSC1

AUX

A-OSC2

Pitch ENV

1/2

A-Filter

Filter ENV

AMP

AMP ENV

LFO 1/2

MFX

DRY

OUT

&

For details of the overall structure, refer to the “JD-XA Structure Diagram”

inside the front cover.

When you move a controller, the corresponding parameter is shown in the screen

(the value changes in tandem with the controller).

If you move the controller while holding down the [Exit] button, the parameter is

displayed without changing its value; this lets you check the current value.

ANALOG PART

Controller

Explanation

Select [01]–[04]

buttons

Select the part that is edited by panel operations.

On [01]–[04]

buttons

Select the part that is played from the keyboard.

[Poly Stack] button

Lets you use the four analog parts as one four-voice poly part.

If the Poly Stack is on, only one part is on.

Use the On [01]–[04] buttons to select the parts that are used for poly stack.

[Unison] button

Selects unison. This is available only if poly stack is on.

LFO

Controller

Explanation

Wave knob

Selects the LFO waveform.

S

(Triangle wave),

R

(Sine wave),

T

(Sawtooth wave),

U

(Square wave),

W

(Sample and Hold),

RND

(Random wave)

[Rate] knob

Determines the speed of the LFO modulation.

* If the [Tempo Sync] button is on, you can specify the LFO modulation

speed in terms of a note value relative to the tempo.

[Select] button

Selects the LFO that will be edited.

LFO1 (unlit), LFO2 (lit)

[Tempo Sync]

button

Synchronizes the LFO modulation speed to the tempo.

[Fade Time] slider

Specifies the time from when the tone

sounds until the LFO reaches its maximum

amplitude.

[Pitch Depth] slider

Allows the LFO to modulate the A-OSC pitch, producing a vibrato effect.

[Filter Depth] slider

Allows the LFO to modulate the FILTER CUTOFF (cutoff frequency),

producing a wah effect.

[Amp Depth] slider

Allows the LFO to modulate the AMP LEVEL (volume), producing a tremolo

effect.

A-OSC1

Controller

Explanation

Wave knob

Selects the oscillator waveform.

T

(Sawtooth wave),

U

(Square wave),

V

(Asymmetrical square wave),

S

(Triangle wave),

R

(Sine wave),

Variation (not used with A-OSC)

[Variation] button

Not used with analog parts.

[PWM] slider

When

V

(asymmetrical square wave) is selected as the oscillator

waveform

Specifies the amount of LFO modulation applied to PW.

[PW] slider

When

V

(asymmetrical square wave) is selected as the oscillator

waveform

Specifies the pulse width.

[Pitch] knob

Specifies the oscillator pitch.

[Fine] knob

Fine adjustment of the oscillator pitch.

[Cross Mod] knob

Specifies the amount by which the A-OSC2/AUX waveform modifies the

frequency of A-OSC1.

[Ring Mod] button

Gives the sound a metallic character by multiplying A-OSC1 and A-OSC2/

AUX.

[Mod Source]

button

Selects the modulation source waveform (A-OSC2/AUX).

A-OSC2

Controller

Explanation

Wave knob

Selects the oscillator waveform.

T

(Sawtooth wave),

U

(Square wave),

V

(Asymmetrical square wave),

S

(Triangle wave),

R

(Sine wave),

[PWM] slider

When

V

(asymmetrical square wave) is selected as the oscillator

waveform

Specifies the amount of LFO modulation applied to PW.

[PW] slider

When

V

(asymmetrical square wave) is selected as the oscillator

waveform

Specifies the pulse width.

[Pitch] knob

Specifies the oscillator pitch.

[Fine] knob

Fine adjustment of the oscillator pitch.

[OSC Sync] button

Creates a complex waveform by forcibly returning A-OSC1 to the beginning

of its cycle in synchronization with the cycle of A-OSC2.

PITCH ENV

Controller

Explanation

[Depth] knob

Specifies the direction and amount of the pitch change.

[Select] button

Selects the pitch envelope editing target.

[A] slider

These sliders operate similarly to the [A] [D] sliders of the AMP section (they

affect the pitch rather than the volume).

[D] slider

MIXER

Controller

Explanation

[A-OSC 1] knob

Specifies the A-OSC1 volume.

[A-OSC 2] knob

Specifies the A-OSC2 volume.

[AUX] knob

Specifies the AUX volume.

[Select] button

Specifies the AUX source.

White Noise, Pink Noise, Digital Part, MIC

* The digital part that can be selected as the AUX source will be the same

part number as the analog part. It is not possible to select a different

part.

Analog part

Digital part selected

Analog part 01

Digital part 01

Analog part 02

Digital part 02

Analog part 03

Digital part 03

Analog part 04

Digital part 04

FILTER

Controller

Explanation

[HPF] knob

Specifies the cutoff frequency of the high-pass filter.

[Drive] knob

Adjusts the drive.

Filter type select

knob

Selects the filter type.

LPF1–3 (Low Pass Filter), HPF (High Pass Filter), BPF (Band Pass Filter)

[Variation] button

Not used with analog parts.

[Cutoff] knob

Specifies the cutoff frequency.

[Resonance] knob

Specifies the resonance.

[Key Follow] knob

Allows the filter cutoff frequency to vary according to the key that you play.

If the knob is turned toward the right, the cutoff frequency becomes higher

as you play higher notes.

If the knob is turned toward the left, the cutoff frequency becomes lower as

you play lower notes.

[ENV Depth] knob

Specifies the direction and amount of the change in cutoff frequency.

[A] slider

These sliders operate similarly to the [A] [D] [S] [R] sliders of the AMP section

(they affect the cutoff frequency rather than the volume).

[D] slider
[S] slider
[R] slider

AMP

Controller

Explanation

[Level] knob

Specifies the AMP Level.

[A] slider

(Attack time)

Specifies the time from the moment

you press the key until the maximum

volume is reached.

[D] slider

(Decay time)

Specifies the time from when the

maximum volume is reached, until it

decays to the sustain level.

[S] slider

(Sustain level)

Specifies the volume level that will be

maintained from when the attack and

decay times have elapsed until you

release the key.

[R] slider

(Release time)

Specifies the time from when you

release the key until the volume reaches

its minimum value.

EFFECTS

&

“Editing the Effects” (p. 6)

MEMO

5

If the program has been edited, the decimal point of the program

number is lit.

5

The edited sound is saved in the program.

&

“Saving a Program (Write)” (p. 7)

5

Some parameters can be edited without using a controller.

&

For details, refer to “Parameter Guide (English)” (PDF).