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Headphone minimum level, Operating modes – Studio Technologies 216 User Manual

Page 18

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Issue 1, July 2014

Model 216 User Guide

Page 18

Studio Technologies, Inc.

panel. Audio input channel 3 is assigned

to the left headphone output channel

and audio input channel 4 is assigned

to the right headphone output channel.

The overall level of audio inputs 3 and 4

is controlled by the rotary level control lo-

cated on the right side of the front panel.

The sidetone function will not be active.

Headphone Minimum Level

Switch 9 is used to configure the head-

phone output’s minimum level. In the

–40 dB setting the minimum headphone

output level is approximately 40 dB below

maximum. The headphone output will nev-

er fully mute. This ensures that any audio

signal present on the assigned audio input

channels (1 and 2 or 1, 2, 3, and 4) will

always be present on the headphone out-

put. In most on-air broadcast applications

this is the appropriate setting, ensuring

the some level of signal is always present.

When the rotary level control on the right

side of the front panel has been assigned

to control the sidetone level the setting of

the headphone minimum level mode will

not impact it. In this case when the control

is in its fully counterclockwise position it

will always cause the sidetone level to be

fully muted.

Operating Modes

Switches 11 and 12 are used to configure

the overall operating mode of the Model

216. Specifically, they determine how the

main output channel operates vis-à-vis the

talkback output channels as well as one

facet of the headphone output’s function.

Understanding how these three modes

impact overall system operation will en-

sure that correct operation and maximum

usability will occur.

Figure 8. Headphone minimum level switch

settings

Figure 9. System mode settings

When full mute is selected moving any level

control to its fully counterclockwise position

will cause its associated channel to fully

mute. If a rotary level control is set to serve

as a balance control, moving it to either fully

counterclockwise or fully clockwise posi-

tion will cause the associated signal to fully

mute. Selecting the full mute mode may be

appropriate for applications where minimiz-

ing the chance of audio “leakage” is impor-

tant. This could occur when the connected

headset or headphones are at times placed

on a desk or tabletop.

• When selected to the on-air mode, the

audio signal on the main output chan-

nel will mute whenever the audio signal

on either or both of the talkback output

channels is active. The on-air mode

should be selected for all on-air broad-

cast applications when it’s imperative

that the audio signal on the main output

channel be muted whenever on-air talent

uses a talkback output channel to com-

municate with production personnel.

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