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Unbalanced digital audio output – Studio Technologies 212 2013 User Manual

Page 12

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Issue 5, May 2013

Model 212 User Guide

Page 12

Studio Technologies, Inc.

jack. The right channel is connected to the

“ring” lead of the jack. Common for both

channels is connected to the “sleeve”

lead.
Devices with ¼-inch 2-conductor “mono”

plugs can also be used with the Model

212’s headphone output. In this arrange-

ment only the tip lead (left channel) will

be active. The 2-conductor plug will

physically connect (“short”) the ring lead

(right channel) to the sleeve lead (com-

mon). Technically this won’t damage the

circuitry associated with the right-channel

headphone output. (50 ohm protection

resistors are electrically in series with the

headphone output circuits.) However,

energy will be wasted if an audio signal

coming out of the right channel goes into

a “dead short.” There is a simple solution

to this issue. No audio source should be

assigned to the right-channel headphone

output. Refer to the Configuration section

of this user guide for details.

Unbalanced Digital Audio

Output

The main and talkback audio channels

are accessible by way of an AES3id unbal-

anced digital audio output. A BNC con-

nector, located on the back panel of the

Model 212, provides access to the trans-

former-coupled interface. This type

of digital audio interface is commonly

used for broadcast applications, providing

a 75 ohm unbalanced implementation of

the AES 2-channel digital audio standard.

The Model 212’s interface provides 24 bit

audio signals with a default sample rate

of 48 kHz. The main output audio signal

will be present on channel 1 of the digital

audio signal; talkback audio will be pres-

ent on channel 2.

The clock (timing) source for the digital

audio output is derived from the selected

digital audio input. Should the input

source not be present the Model 212’s

internal clock source will automatically

be selected. The exception is when the

bidirectional digital interface is selected

as the input source. In this case a valid

signal must be connected to the bidirec-

tional digital interface for proper digital

audio output signals to be created; in this

configuration the Model 212 will not be

able use its internal clock source.
The main output channel is intended to

be the “on-air” signal that connects to an

input channel of an audio console. The

talkback output channel is intended for

connection to control rooms, production

trailers, or other locations where talent-

originated voice cues are required. The

nominal level of the digital audio signals

is –20 dBFS. The actual levels will depend

on the gain setting of the microphone

preamplifier, sensitivity of the microphone,

how loudly the talent speaks into the mi-

crophone, and the configuration setting

of the compressor threshold.
Talkback audio is also “on-air” quality,

which makes sense since the audio path

is shared by the talkback and main out-

put channels. Devices connected to the

talkback output channel can range from

amplifiers associated with loudspeakers

to inputs on digital matrix intercom

systems. Connecting the talkback output

channel to devices that allow easy control

of the signal level can be helpful. For ex-

ample, connecting to a spare input chan-

nel on a digital audio console will provide

the resources to add gain or attenuate the

signal as required. A talkback-associated

output path on the audio console can then

connect to the final destination(s).