LSC Lighting maXim MP - Manual (Page 26)

maXim MP L(P) XL(P) XXL(P)
Operator Manual V3
Page 20 LSC Lighting Systems (Aust) Pty. Ltd
6 MODES OF OPERATION
6.1 OVERVIEW
The maXim has several banks of faders.
• The Yellow bank always controls the levels of
channels/fixtures 1 to 24 (36, 48, 60)
• The Red bank has different functions as
selected by the “mode red bank” button;
• PRESET mode. The Red bank controls the
levels of channels/fixtures 1 to 24 (36, 48,
60). (A duplicate of the Yellow bank).
• WIDE mode. The Red bank controls the
levels of channels/fixtures 25 (37, 49, 61) to
48 (72, 96, 120). (An extension of the
Yellow bank providing double the number
of channel/fixture faders)
• PLAYBACK mode. The Red bank faders
become PLAYBACKS and control the
levels of recorded Scenes or Chases.
You may freely change red modes at any time
during your operation of the maXim and the
current red mode is always shown by the “LED”
MODE indicators.
Each mode has its particular advantage for
different types of operations.
6.2 PRESET MODE
RED AD D/S OLO
YE LLOW B ANK
R ED B ANK
M ASTE RS
YE LLOW
1 2 3 4 5 6 7 8 9 10 11 12
1 2 3 4 5 6 7 8 9 10 11 12
CH A NN ELS 1-12
C H AN N ELS 1-12
O UTPU T
Simplified diagram of a maXim in PRESET mode .
You can create a lighting look by fading up your
required channels on one of the colour coded
banks and fading up the same colour master. By
keeping the other master faded down, another
look can be preset on the duplicate set of channel
faders without the channels being revealed on
stage. The new look is revealed by fading up its
master whilst the first look is faded down with its
master. The next look may now be “preset” on the
bank that has just been faded down. The fade
times of the masters are set by the IN and OUT
time faders.
6.2.1 PRESET ADVANTAGE
This simple mode of operating is most useful in
unrehearsed situations where the next “look”
needs to be created “on the fly”. The channel
faders provide instant “hands on”.
6.2.2 PRESET DISADVANTAGE
Only half of the possible maXim channels/fixtures
can be intensity controlled by dedicated faders.
6.3 WIDE MODE
Wide mode utilises both the red and yellow banks
as a single wide bank thus doubling the number of
channel/fixture faders. The yellow faders control
the low numbered channels and the red faders
control the high numbered channels. The yellow
master controls the total output.
R E D G R A B A D D /S O L O
Y E L L O W B A N K
R E D B A N K
M A S T E R S
Y E L L O W
1 2 3 4 5 6 7 8 9 1 0 1 1 1 2
1 3 1 4 1 5 1 6 1 7 1 8 1 9 2 0 2 1 2 2 2 3 2 4
C H A N N E L S 1 - 1 2
C H A N N E L S 1 3 - 2 4
O U T P U T
Simplified diagram of a maXim in Wide mode.
6.3.1 WIDE ADVANTAGE
You have individual access to all of the channels
that are available on the maXim. This is most
useful when you are RECORDING scenes as you
can utilise all channels to create your scenes.
(See “Playback Mode” below).
6.3.2 WIDE DISADVANTAGE
You do not have a second “preset” bank on which
to create the next look and you have less
playbacks.
6.4 PLAYBACK MODE
Selecting Playback mode only changes the
operation of the red bank. The faders of the red
fader bank become Playbacks containing scenes
or chases that you have recorded.
R E D G R A B A D D /S O L O
Y E L L O W B AN K
R E D B AN K
M AS TE R S
Y E L L O W
1 2 3 4 5 6 7 8 9 10 11 12
1 2 3 4 5 6 7 8 9 10 11 12
P L A Y B A C K S 1 - 1 2
C H A N N E L S 1 - 1 2
O U TP U T
Simplified diagram of a maXim S in Playback mode.
Scenes, stacks and chases can be recorded or
edited
whilst operating in any modes but scenes
and chases can only be played back on the Red
bank when it is in Playback mode.
6.4.1 PLAYBACK ADVANTAGE
During rehearsal (in any mode), each lighting look
can be created and “recorded” into a Scene.
During the show (in Playback mode), the
Playback containing each scene is faded up when
required. The maXim remembers all the channels
and their levels together with the fade times. You
may also use the Red Playbacks to playback
chases that you have recorded.