Speck Electronics SSM User Manual
Page 34

Chapter 4 Operation Section
This control acts as a master level adjustment for all eight stereo effects 
returns and is normally set to its fully clockwise position. 
 
In reality, there is no additional level available in the effects return 
signal path. Unity gain, meaning no level lost or added, is obtained 
when the Group Master Control is set to its fully clockwise position. 
 
If the effects devices being utilized with the SSM are properly operated 
at a professional input/output level of +4dbm, it would be acceptable to 
adjust this control to the three o'clock mark. This will afford an 
additional overall effects level boost when needed. Otherwise, set the 
Effects Return Master Level Control to its fully clockwise position and 
forget it. 
 
The Effects Return Group Solo Switch permits an instantaneous In-place 
solo of all eight stereo effects returns. 
 
At times it is convenient to be able to listen to all of the effects returns 
at once. This can be particularly useful if you are creating multi-
effects only patches. 
 
As with all the solos on the SSM, only the monitor and/or headphone 
outputs are affected. Effects returns may be individually muted or 
unmuted even if the Group Master Solo is activated. 
 
This is a convenient master mute function for all eight stereo effects 
returns. When the Group Mute is activated, the Effects Return Group 
Solo is unavailable. However, any individual effect return may be 
soloed even if the Effects Group Mute is depressed. 
 
This control adjusts the output volume to a dedicated tuning device (see 
rear panel). The source for this output is either the sum of all signals 
feeding the program master or any in-place solo or PFL signals. 
 
If, for example, you need to tune only one synth module while others are 
active, simply depress its associated solo or PFL switch and it will be 
isolated to the tuner output. 
 
There is ample gain available at this output so that even the softest synth 
patches will trigger the tuners circuitry. Start by positioning the control 
at the twelve o'clock mark, and adjust if necessary. 
23. Effects Return Group
Master Control
24. Effects Return Group
Solo Switch
25. Effects Return Group
Mute Switch
26. Tuner Level Control
29
Master Section
Refer to Figure 5 for location of items 23 thru 43.
