DigiTech RP1000 - Manual (Page 47)

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Boss® DS-1™ Distortion
A truly classic distortion. A nice, common distortion that ranges in tone from rock to mild metal.
Use it to drive a distorted amp!
Boss MT-2 Metal Zone®
The Metal Zone will produce nearly any metal tone needed from tight, percussive Bay area
thrash to deep detuned grind core.
Boss OD-1 Overdrive
The OD-1 is perfect for just adding a little gain to your tone no matter what type of amp you
use. To produce a bluesy tone, use it with a clean combo. To drive your stack, crank the gain and
level.
Boss SD-1 Overdrive
With a little more gain than the OD-1, the SD-1 will drive any amp into another realm. If you’re
just looking for a good classic rock tone, this is it.
Demeter Fuzzulator
Enhancing the proper frequencies with a pre-emphasis tone circuit, the Fuzzulator produces
distortion that is unique and does not get muddy. It just gets better and the Fuzz is turned up.
DigiTech® Amp Driver
The Amp Driver distortion is designed to turn a regular distorted amp into a monster. The Amp
Driver not only distorts the guitar’s signal but also boosts frequencies around 600Hz. By em-
phasizing the frequencies around 600Hz amps can be driven harder and take on more of a metal
tone. A mean sound is not only how determined by how much gain you put in front of your amp,
but how hard you drive the amp and with what frequencies the amp is driven with.
DigiTech Death Metal™
Designed in 1992 to provide death metal musicians with a wall of sound, the Death Metal™
pedal does just that. Whether you play early ‘90s grindcore or modern death metal, the Death
Metal’s tone controls that are placed at the correct frequencies give you a multitude of sonic
options.
DigiTech Grunge®
In late 1991 as Grunge hit the radio the pedal was designed as the DOD FX69 Grunge. The
pedal was designed by a young engineer who played “punk” and was released as an experiment
to see what this “new type” of music was all about. Now a decade later, the Grunge is still a top-
seller. The Grunge produces tones from early famous Seattle sounds to borderline metal. Don’t
forget your flannel….
DigiTech Redline Modified Overdrive
Not your standard overdrive, the Redline takes overdrive to a place that never existed. The Red-
line’s circuit overdrives the guitar’s signal in a way that is not evenly clipped like the way a tube
amp distorts. Add extra gain and a thicker low end and the Redline was born.
DOD 250 Overdrive/Preamp
The DOD®250 is another classic overdrive. With no tone control to get in the way, the 250’s
beauty is just it’s pure overdrive.
DOD Classic Fuzz
A part of the original DOD FX family, the Classic Fuzz gained a following for its clearer voicing
as compared to many fuzz pedals.
DOD Gonkulator Ring Modulator
Meet the needs of many experimental guitarists, the Gonkulator was a silent hit only to become
a high cost interned item. The Gonkulator is a compination of a Grunge pedal and a ring modula-
tor that produces distortion and mixes in bell-like ringing. The first pedal with a “suck” knob.
Electro-Harmonix® Big Muff Pi®
A requirement for any alternative player, the Big Muff Pi’s thick fuzz is unmistakable in grunge,
new wave and many punk hits.