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System a - 100, A-141, User examples – Doepfer A-141 VC-ADSR (VC Envelope Generator) User Manual

Page 5: Doepfer

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doepfer

System A - 100

VCADSR

A-141

5

5. User examples

Basically, the envelope generated by the VCADSR
can be used for any number of types of modulation:

VCADSR - VCA

Complex amplitude changes over time

VCADSR - VCA for voltage control

Time-dependent control of all sorts of modulation
voltages to and from other modules

VCADSR - VCF

Modulation of the filter cut-off frequency for con-
stantly evolving sound spectra

VCADSR - VCO (PWM)

Time control of Pulse Width Modulation changes
for evolving timbres

VCADSR - VCO (FM)

Pitch modulation as notes progress (and timbral
change with very short envelope settings).

Look in the individual manuals for further examples
and notes.

The VCADSR in a MIDI system

In contrast with the A-140 standard ADSR, the A-141’s
parameters can be voltage controlled. One particular
possibility is to control the changes in parameters with

a MIDI sequencer and MIDI-CV interface (for in-
stance, the A-191) by simply sending MIDI controller
messages
.

That actually makes the ADSR parameters program-
mable
, and also means that you can change them as
you play, in real time (for instance by using velocity to
control the Decay parameter).

Using the VCADSR with a sequencer

Used in conjunction with a sequencer like the MAQ
16/3, you can get some interesting results - for in-
stance programming a different VCF or VCA decay
time for each note
in a sequence. You simply
connect the second CV output of the MAQ 16/3 to
input " (CV D) on the A-141 which is patched into the
VCF or VCA.

Controlling the release time

A common VCADSR application is shown in the patch
in Fig. 3, where the higher the note played, the shor-
ter the release time
. This mimics the natural beha-
viour of most acoustic instruments.

The A-175 Voltage Inverter simply inverts the pitch CV
and sends it to the release CV input $ (CV R). You
control the intensity of this effect with control 8.