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Input channels, O mic/line switch (rear panel), Channels 1 through 6 – Yamaha AM802 User Manual

Page 5: O gain control — channels 1 through 6, 0 clip led — channels 1 through 6, O eq lo & hi controls, 0 aux controls, 0 pan control

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CONTROLS

• Input Channels

O

MIC/LINE Switch (Rear Panel)

— Channels 1 through 6.

This switch sets the input sensitivity of the corre­
sponding input to match line-level or microphone-level
input sources. If you will be connecting a line-level
source such as an electronic keyboard or audio

equipment, set the switch to LINE. If you will be con­
necting a microphone or other low-level source, set

the switch to MIC.

o

GAIN Control — Channels 1 through 6.

This control adjusts the input sensitivity of the corre­

sponding input channel. Continuously variable gain
control allows optimum matching with virtually any
microphone or line source.

0 CLIP LED — Channels 1 through 6.

The CLIP LEDs provided on channels 1 through 6 will

light if the signal in the corresponding channel
reaches a level 3-dB below clipping. If a CLIP indica­

tors lights more than just occasionally on high-level

peaks, the GAIN control level or level of the source
connected to the mixer’s input should be reduced to
prevent possible overload distortion.

O EQ LO & HI Controls

These controls permit individually modifying the re­

sponse of each channel. The HI and LO EQ controls

function as follows:

Control

Range

Freq.

Type

HI

+15 dB

10 kHz

Shelving

LO

±15 dB

100 Hz

Shelving

0 AUX Controls

The AUX 1, AUX 2 and AUX 3 controls determine the

level of the signal sent from that channel to the AUX
1, AUX 2 and AUX 3 mixing busses, respectively. The
AUX mixing busses then feed the corresponding AUX
SND level controls and finally the corresponding rear-
panel AUX SND output jacks. The channel AUX con­
trols can be used to produce three independent mixes
to feed external effect devices, a performer’s head­
phone cue system or other system fed by the AUX

SND jacks. All AUX controls are “post-EQ/post-fader,”
meaning that their signal is derived from a point after

the channel EQ stage and fader. This means that the
AUX signal is affected by the channel EQ and fader

settings.

0 PAN Control

The PAN controls assign the signal from the corre­

sponding channel to any desired position in the “ste­
reo sound field.” If a PAN control is set to the maxi­
mum “L” (LEFT) position, the signal from that channel

will appear only at the left-channel output (ST QUT L).

If the PAN control is set fully “R” (RIGHT), the signal

will appear only at the ST QUT R output jack. If a

PAN control is set to its center position, then the sig­
nal from that channel will appear equally at both the
left- and right-channel outputs, and the sound will
appear at the center of the stereo sound field (at a
point midway between the two stereo speakers).
Qther PAN control settings place the sound at posi­

tions roughly corresponding to the PAN control setting

by varying the level of the signal sent to the left- and
right-channel outputs.

rxi

LEFT
SPEAKER

RIGHT

SPEAKER

r>

\i/

\l/

\l/

/|\

PAN

lOO

Ik

lOk

(Hz)

FREQUENCY

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