Allen&Heath Xone S6 - Manual (Page 10)

10 XONE:S6 User Guide
Microphone Controls
A DJ microphone can be plugged in. A professional quality balanced dynamic
vocal type is recommended. Phantom power can be internally enabled if a
condenser type is preferred. The mic can be switched into the master mix,
booth mix, and routes to the cue monitor. An insert is available for patching in
processors such as a limiter or compressor.
Mic on/off Switch the microphone into the master mix using the ON/OFF
toggle switch. Depending on the position of the rear panel MIC TO BOOTH
switch, the signal may also appear in the booth mix. When the mic is switched
off, its post fade signal is automatically sent to the cue mix for monitoring.
Mic level
Controls the level of the microphone from fully off to a maximum
+60dB gain. Typical operation with a dynamic vocal mic is around the 2 to 3
o’clock position.
Hi-pass filter A hi-pass filter is built in to help remove handling noise and
the popping associated with the close mic proximity effect.
Mic EQ
Two controls adjust the frequency response of the mic channel.
2.5kHz is a shelving HF control, 120Hz is a shelving LF control. Both provide
up to 15dB cut or boost. The response is flat at the centre positions. Where
possible use only small amounts of EQ, and cut rather than boost.
A small amount of HF boost can improve the intelligibility of vocals over the
mix, adding brightness. Use HF cut to remove harshness. A little LF boost can
add punch to the male voice. Use LF cut to reduce boominess and LF noise.
Phantom power An internal option jumper is provided to enable +30V
phantom power to the mic input XLR. Only use this if it is required, for example
with certain condenser mics. Do not use it with unbalanced connections.
-15
2.5kHz
+15
120Hz
MIC
ON
OFF
1
0
2
4
3
-15
10
9
8
+15
6
5
7