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Xenyx 1222fx – Behringer XENYX 1222FX User Manual

Page 10

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XENYX 1222FX

CD/TAPE MUTE

Using this switch, the input signal from the CD/tape inputs is

muted.
CD/TAPE RET(URN)

This stereo fader assigns the input signal from the CD/tape

inputs into the main mix.

Fig. 2.10: 2-track connectors

CD/TAPE INPUT

The CD/TAPE INPUT RCA connectors are provided for

connecting a 2-track machine (e.g. DAT recorder) or also a CD

player. They can also be used as stereo line input. Alternatively,

the output signal of a second XENYX or BEHRINGER ULTRALINK

PRO MX882 can also be connected. If you connect a hi-fi amplifier

with a source selection switch to the CD/TAPE INPUT, you can

easily switch between additional sources (e.g. cassette recorder,

MD player, sound card etc.).

Using the voice canceller function, you can process all signals

being brought into your mixing console via these connectors.
CD/TAPE OUTPUT

These connectors are wired pre graphic EQ and pre XPQ

surround function. They carry the main mix signal (unbalanced),

effects mix included. Connect the CD/TAPE OUTPUT to the inputs

of your recording device. If you wish to use your mixer solely for

recording purposes, the main outputs are also an alternative.

2.3.5 Main mix, main out connectors

and headphone connector

Fig. 2.11: Main mix fader

MAIN MIX

Use the high-precision quality faders to control the output level

of the main mix.

Fig. 2.12: Main out connectors

MAIN OUT

The MAIN outputs carry the MAIN MIX signal and are on

balanced XLR connectors with a nominal level of +4 dBu.

Depending on how you wish to use your mixer and which gear

you own, you can connect the following equipment:
Live PA systems:

A stereo dynamics processor (optional), stereo equalizer

(optional) and the stereo power amplifier for full-range loud-

speakers with passive crossovers.

If you wish to use multi-way loudspeaker systems without an

integrated crossover, you have to use an active crossover and

several power amplifiers. Often, limiters are already built into

active crossovers (e.g. BEHRINGER SUPER-X PRO CX2310 and

ULTRADRIVE PRO DCX2496). Active crossovers are implemented

directly before the power amplifier, and they divide the frequency

range into several segments that are first amplified in the amplifiers

and then passed onto the corresponding loudspeakers.
Recording:

For mastering, using a stereo compressor such as the

COMPOSER PRO-XL MDX2600 can be recommended. Use it to

custom-tailor the dynamic characteristics of your signal to the

dynamic range of the recording equipment you are using. The

signal is in this case passed on from the compressor into the

recorder.
PHONES

The PHONES control adjusts the volume of the headphones

connected to the PHONS/CTRL connector. If you connect active

monitors or an amplifier, use this connector to adjust the output

signal level.

CAUTION!

+

We would like to draw your attention to the fact that

extreme volumes may damage your hearing and/

or your headphones or loudspeakers. Turn the

MAIN MIX faders and the PHONES control in the main

section fully down before you switch on the unit.

Always be careful to set the appropriate volume.

Fig. 2.13: PHONS/CTRL connector

PHONS/CTRL connector

You can connect headphones to this 1/4" TRS connector. The

connector can also be used for feeding active monitor

loudspeakers (or an amplifier) in your control room. For this

purpose, the signal is taken directly before it is passed on to the

main mix faders.

2. CONTROL ELEMENTS AND CONNECTORS