EVS XTAccess Version 1.14 - July 2010 User Manual - Manual (Page 30)

XTAccess Version 1.14 – User’s Manual
Author: Serge Comes - EVS Broadcast Equipment – July 2010
Issue 1.10.D
T
O
F
ILE
Possible Options
Three options are submitted:
• Keep the Wrapper/codec from the XML job:
Use this option if you do not want to change the file wrapper which will be
created by XTAccess
• Force the Wrapper format to : “EVS MXF”
Use this option if you want to change the file wrapper which will be created by
XTAccess
• Transcode the source media using the ‘Default File Transcoding Profile’
Use this option if you want to transcode the source clip, and so define the
codec and the wrapper of the destination
NLE
See below the NLE configuration
Audio Format
•
Stereo: if selected, audio essences are considered as a stereo tracks,
otherwise mono tracks. Only used for Quick Time Movies and Quick Time
Reference, wav backup jobs.
• 16-Bit/24-Bit: stereo button to select the audio resolution. Only used for
transfer to Avid and OP-1a,QT,QT Ref, OPATOM and Wav format
SuperMotion Mode
This setting allows you to select the SuperMotion backup mode
• Real Time [1/2 or 1/3 frames with audio]: XTAccess will keep only one frame
over 2 or 3 (following the Super Motion Rec mode) and keep the audio. Audio
& TC will be consist
• All Frame [with unsynchronized/without audio]: XTAccess will keep the
entire frame of the SSLM Clip.
Audio Channels Map
This setting is used to define how the output audio channels will be distributed to
the generated audio files:
• Use <;> to separate the content of the various audio files to generate
• Use a space between each audio channel to be included in an audio file
• Use <-1> to mute a channel (not for the Wav backup)
• Audio channel are between 0 and 7
Example: 0 1 3 4; 7 2; 4 5; 3 6 will create 4 BWAV files
.
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