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Chord basics, Reading chord names, Some chord types – Yamaha DGX-520 User Manual

Page 79

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DGX-620/520, YPG-625/525 Owner’s Manual

79

Style (Auto-accompaniment) Functions

Two or more notes played together constitute a “chord”.

The most basic chord type is the “triad” consisting of three notes: the
root, third, and fifth degrees of the corresponding scale. A C major triad,
for example, is made up of the notes C (the root), E (the third note of the
C major scale), and G (the fifth note of the C major scale).

In the C major triad shown above, the lowest note is the “root” of the
chord (this is the chord’s “root position” ... using other chord notes for
the lowest note results in “inversions”). The root is the central sound of the chord, which supports and
anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.

The lowest interval in our root-position triad (between the root and the third) determines whether the triad
is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two addi-
tional chords, as shown below.

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create
different inversions. Successive chords in a chord progression can be smoothly connected, for example, by
choosing the appropriate inversions (or chord “voicings”).

Reading Chord Names

Chord names tell you just about everything you need to know about a chord
(other than the inversion/voicing). The chord name tells you what the root of the
chord is, whether it is a major, minor, or diminished chord, whether it requires a
major or flatted seventh, what alterations or tensions it uses ... all at a glance.

Some Chord Types

(These are just some of the “Standard” chord types recognized by the DGX-620/520, YPG-625/525.)

Chord Basics

3rd

3rd

Root

Major third–four half steps (semitones)

Minor third–three half steps (semitones)

C

M

C

m

C

aug

C

dim

Major chord

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Minor 3rd

Minor chord

Augmented chord

Diminished chord

C

m

Root note

Chord type

C

sus4

C

7

C

m7

C

M7

C

7

(

b5

)

C

m7

(

b5

)

C

7sus4

C

mM7

Perfect 5

th

Perfect 4

th

Flatted 7

th

Major chord

Flatted 7

th

Minor chord

Major 7

th

Major chord

Major 7

th

Minor chord

Flatted 5

th

7

th

chord

Flatted 5

th

Minor 7

th

chord

Flatted 7

th

Suspended
4

th

chord

Suspended 4

th

7

th

Minor 7

th

Major 7

th

7

th

, suspended 4

th

Minor 7

th

, flatted 5

th

7

th

, flatted 5

th

Minor/major 7

th