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Meridian America G68 User Manual

Page 50

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Ambisonics

The Ambisonics DSP preset can decode UHJ format, the two-

channel stereo-compatible encoding found on Ambisonically-

recorded discs and broadcasts. This material is specifically encoded

for surround reproduction and can give breathtakingly realistic

sound when replayed using the digital surround controller.

Ambisonics surround sound is quite unlike conventional stereo. A

special microphone technique picks up the sound of the original

performance in all three dimensions, allowing an archive to be

made which describes the soundfield exactly at that position. The

microphone signals are then encoded using a phase-amplitude

matrix to allow the effect to be conveyed on two-channel carriers

(like FM radio, LP, or CD).

The digital surround controller uses accurately matched, frequency-

dependent, phase-amplitude matrices to decode the signal and

construct the signals for each speaker feed.

The fundamental difference between Ambisonics surround sound

and conventional stereo is that the signals from all the speakers

combine to produce a coherent soundfield at the listening position,

giving the illusion that you are sitting inside the recording space

whether you are at the exact central seat or well off to one side.

Of all the signal-processing options, Ambisonics is the one that

requires the greatest attention to speaker choice and positioning.

Super

Super synthesises a signal from a conventional stereo recording

or broadcast so that it can be decoded using the Ambisonic

decoder. The result is especially effective for two particular types of

recordings:

• Those using true coincident microphone techniques.

• Multi-tracked or multi-miked recordings.

Ambisonics and Super DSP preset parameters

Parameter

Options

What it changes

Width*

0 to 1

The width of the image.

Row†

A, C, E, G, I, K, M

The seating position; the letters are like rows in a hall.

Channels

7, 6, 5, 4

The number of speakers.

R Filter

Off, 3kHz, 7kHz, 9kHz

The cutoff of high frequencies from the rear surrounds.

S Filter

Off, 3kHz, 7kHz, 9kHz

The cutoff of high frequencies from the side surrounds.

*Super only.

†Ambisonics only.

D S P p r e s e t s

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G Series DSP 46

31/10/03, 4:24:39 pm