Audio Damage Ronin - Manual (Page 24)

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You can think of signals entering the routing matrix at the top and leaving on the right. The columns are
labeled with the names of modulation sources, and the rows are labeled with the names of modulation
destinations. The sources are labeled across the top of the matrix as follows, in left to right order:
ENV : the output of the envelope follower.
LFO1 , LFO2 : the outputs of the two low-frequency oscillators.
NOTE : the modulation signal generated from MIDI note
numbers, in proportion to their pitch.
GATE : the modulation signal which is +1 when any MIDI notes
are played, and zero after all notes are released.
CC#1 : the modulation signal generated from MIDI continuous
controller messages for controller #1.
The rows in the matrix are labeled with modulation
destinations, that is, parameters that can be affected by
modulators. The modulation destinations are labeled down the right side of the matrix as follows, in top to
bottom order:
DELAY 1 TIME, DELAY 2 TIME : the delay times of the two delay modules. Modulation signals connected to
this destination are added to the current position of the delay’s Fine slider. Use this destination to create
effects such as flanging or chorusing by connecting it to an LFO.
LFO 1 RATE, LFO 2 RATE : the rates of the two low-frequency oscillators. Modulation signals connected to
this destination are added to the current position of the LFO’s Rate slider. Use this destination to make the
LFOs speed up as you move the mod wheel on your MIDI keyboard. Or, borrowing an old trick used on
modular analog synthesizers, connect an LFO’s output to its own rate modulation destination to create
different wave shapes.
FILTER 1 FREQ, FILTER 2 FREQ : the frequencies of the two filters. Modulation signals connected to this
destination are added to the current position of the filter’s Freq slider. Use this destination to create
synthesizer-like filter-sweep effects.