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References theory and design – Lexicon CP-1 User Manual

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CP-1 Digital Audio Environment Processor

1. Schroeder, M.R., Gottlob, D. and Siebrasse, K.F.,"Comparative Study of
European Concert Halls: Correlation of Subjective Preference with Geo-
metric and Acoustic Parameters", J. Acoust. Soc. Am., vol. 56, pp. 1195-1204
(1974).

2. Barron, M., and A.H. Marshall, "Spatial Impression Due to Early Lateral
Reflections in Concert Halls: The Derivation of a Physical Measure", J. Sound
Vibration,
vol. 77, pp. 211, 232 (1981).

3. Griesinger, D., "Spaciousness and Localization in Listening Rooms and
Their Effects on the Recording Technique", J. of the Audio Eng. Soc., vol. 34
no. 4, pp. 255-268 (1986).

4. Griesinger, D., "New Perspectives on Coincident and Semi Coincident
Microphone Arrays", J. of the Audio Eng. Soc., 82nd Convention, Lon-
don(1987) Preprint # 2464 (H-4).

5. Damaske and Mellert, "Ein Verfahren zur richtungstreuen Schallab-
bildung des oberen Halbraumes über zwei Lautsprecher", Acustica, vol. 22,
pp. 153-162 (1969/70)

6. Bishnu S. Atal and Manfred R. Schroeder, "Apparent Sound Source
Translator" - U.S. Patent Disclosure, Patent No. 3,236,949, Feb. 22, 1966.

7. Borish, J., "An Auditorium Simulator for Domestic Use", J. of the Audio
Eng. Soc.
, 33 (5) p. 330 (1985).

8. Blumlein, A.D., British Patent 394,325, 14 June, 1933, reprinted inJ. of the
Audio Eng. Soc.
, Vol. 6, pp. 91-98, 130 (April, 1958).

9. Schroeder, M.R., "Progress in Architectural Acoustics and Artificial
Reverberation: Concert Hall Acoustics and Number Theory", J. of the Audio
Eng. Soc.
, 32(4) pp. 194-203 (1984).

10. Blauert, J. and Lindemann, W., "Auditory Spaciousness: Some further
psychoacoustic analyses", J. Acoustical Soc. Am. 80 (2), August, 1986.

11. Griesinger, D., "Theory and Design of a Consumer Environment Proc-
essor", presented at the Los Angeles AES Convention, Nov., 1988, preprint
available.

References

Theory

and

Design