Superior power delivery and audio quality – Studio Technologies 41 2007 User Manual
Page 20

Issue 2, February 2007
Model 41 User Guide
Page 20
Studio Technologies, Inc.
course not. But for the intended talent cue-
ing applications it should be fine. In almost 
all cases the audio signals being carried 
are somewhat or fully phase-coherent. A bit 
of one channel getting into the other won’t 
even be noticed, especially since moni-
toring is generally done using headsets, 
headphones, or earpieces.
Is it possible to reduce the crosstalk that 
is created? Absolutely, as long as a non-
standard cable connection is made. This 
becomes a trade-off between an improved 
crosstalk figure and ease of installation 
and use. Using two full pairs can signifi-
cantly reduce crosstalk. Several connec-
tion schemes are possible; the exact one 
selected will depend on the specific instal-
lation and personal technical philosophy. 
Two unshielded twisted pairs can be ef-
fectively used. The first pair would carry 
the DC and channel 1 audio signal and 
common. The second pair would carry the 
channel 2 audio signal, again along with 
common. There will still be some capaci-
tance between the conductors carrying the 
two audio channels but it should be signifi-
cantly less. Two shielded pairs can also be 
used as was discussed in the Installation 
section of this user guide.
Superior Power Delivery and 
Audio Quality
As previously discussed, one of the 
Model 41’s strengths is its ability to very 
effectively deliver energy to the connected 
IFB user devices. This allows more devices 
to be supported over longer cable 
runs. How does the Model 41 accomplish 
this? Simply by having circuitry that 
is superior to that used in most of the 
“industry-standard” equipment. In most 
IFB interface devices, an adjustable volt-
age regulator integrated circuit is used as a 
combination of audio modulator and cur-
rent limiter. While this is a simple and inex-
pensive solution, it’s not without significant 
limitations. The major problem with this 
method is the type of voltage-current “knee” 
that is created. As the load current increas-
es past about 50% of the rated maximum 
the output voltage begins to decrease. This 
means that the usable power delivered to 
the connected device(s) will start to drop 
well before the rated output is reached. This 
limitation will become significant in applica-
tions that use long cable runs. As the IFB 
circuit voltage begins to drop problems 
with user device performance can occur. 
Contrast this situation with the performance 
provided by the Model 41. The DC voltage 
supplied by its IFB circuits won’t “poop out” 
when loaded over its 0 to 200 milliamperes 
range. This will allow IFB belt pack and 
announcer’s console devices to work cor-
rectly in many more applications. Figure 10 
shows the IFB circuit voltage-current curves 
for the RTS 4000-series and the Model 41 
Interface. The performance differences are 
quite interesting.
It’s interesting to note the reason why 
typical IFB circuit audio quality is less than 
pristine. It’s not hard to notice the back-
ground “hiss” that is always present on pin 
2 (DC with channel 1 audio) of the interface 
connector. Technically, it’s white noise that 
comes from the adjustable voltage regula-
tor being used as an “AM” modulator and 
current limiter. The noise is an artifact of 
the design topology and simply can’t be 
overcome. How does Studio Technologies 
know this? Because our first “breadboard” 
designs used this method and achieved the 
same poor results! Only after the problem 
came to light did work on an improved cir-
cuit begin. The results were worth the effort.
