Casio EX-FC100 - Manual (Page 5)

5
Contents
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Recording Movies 58
To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
❚ Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . .(Prerecord (Movie)) . . 62
Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . (For YouTube) . . 64
Shooting a Snapshot while Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . 65
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Using BEST SHOT 66
What is BEST SHOT? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
❚ Some Sample Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
❚ Creating Your Own BEST SHOT Setups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Shooting with High Speed Night Scene . . . . . (High Speed Night Scene) . . 70
Shooting with High Speed Anti Shake . . . . . . . .(High Speed Anti Shake) . . 71
Isolating Moving Subjects . . . . . . . . . . . . . . . . . . . . . (Multi-motion image) . . 72
❚ Basic Multi-motion image Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Shooting with Priority on Subject Faces . . . . (High Speed Best Selection) . . 74
Shooting an Image in Accordance with
Subject Movement . . . . . . . . . . . . . . . . . . . . (Move Out CS/Move In CS) . . 75
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Advanced Settings 80
Using On-screen Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
REC Mode Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (REC) . . 82
❚ Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Focus). . . 82
❚ Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer). . . 86
❚ Reducing the Effects of Camera and Subject Movement . . . . (Anti Shake). . . 87
❚ Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . . . . . . . . (AF Area). . . 88
❚ Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . . .(AF Assist Light). . . 89
❚ Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . . .(Face Detection). . . 89
❚ Shooting with Continuous Auto Focus . . . . . . . . . . . . . . . . (Continuous AF). . . 91
❚ Changing the Continuous Shutter Mode . . . . . . . . . . . . . . . . . . . . . . . (CS). . . 91
❚ Configuring the Continuous Shutter Image Save Method (Save CS Images) . . 92
❚ Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . .(Digital Zoom). . . 92
❚ Assigning Functions to the [4] and [6] Keys . . . . . . . . . . . . . . . (L/R Key). . . 92
❚ Shooting with Quick Shutter . . . . . . . . . . . . . . . . . . . . . . . . . (Quick Shutter). . . 93
❚ Turning on Image Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Review). . . 93
❚ Displaying the On-screen Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Grid). . . 94
❚ Using Icon Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Icon Help). . . 94
❚ Configuring Power On Default Settings . . . . . . . . . . . . . . . . . . . . (Memory). . . 95
Image Quality Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Quality) . . 96
❚ Specifying Snapshot Image Quality . . . . . . . . . . . . (T Quality (Snapshot)). . . 96
❚ Movie Image Quality Settings . . . . . . . . . . . . . . . . . . .(» Quality (Movie)). . . 96
❚ Setting the High Speed Movie Frame Rate . . . . . . . . . . . . (HS » Speed). . . 97
❚ Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . . .(Metering). . . 97