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FBT JOLLY12 User Manual

Page 16

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15

ESEMPI DI COLLEGAMENTO

CONNECTION EXAMPLES

EXEMPLES DE CONNEXION

ANSCHLUSSBEISPIELE

L R

IN

IN

R

IN

IN

OUT

Configurazione di più diffusori Jolly

Configuration ofmultiple Jolly

Configuration de plusieurs enceintes
Jolly

K o n f i g u r a t i o n m e h r e r e r J o l l y
Lautsprecher

N. 1 microfono + n. 2 Jolly 12BA in parallelo

N. 1 micro + n. 2 Jolly 12BA in parallelmode

Un micro et n. 2 Jolly 12BA reliés en parallèle

Eines Mikrophones und n. 2 parallel geschalteter
Jolly 12BA

Le uscite generali L/R del mixer nelle prese di
ingresso XLR-Combo delle Jolly

The master L/R outputs of the mixer are
connected to the XLR-Combo socket of the Jolly

Les sorties générales L/R du mixeur dans les
prises d’entrée XLR-Combo de la Jolly

Die allgemeinen L/R Ausgänge des Mischpults
mit den Eingangsbuchsen XLR-Combo von Jolly
verbinden

OUT

IN

IN

IN

OUT

OUT

IN

Mic

Mic

Mic

Mic

Line

Line

R4

L3mono

R6

L5mono

L

R

CD/TapeIn

TapeOut

StereoMain

L

R

MonoMain

Ph.

Pwr

-10

-5

0dB

6

Left

Right

1

2

3

5

Stereo

4

6

Stereo

1.Chorus

2.Flange

3.Delay1

4.Delay2

5.Chorus/Room1

6.Chorus/Room2

7.VocalCancel

8.RotarySpeaker

9. Hall1

10.Hall2

11.Room1

12.Room2

13.Room3

14.Plate1

15.Plate2

16.Plate3

Effect

Selector

12

13

14

5

6

7

8

9

10

11

16

1

2

3

4

15

1

2

3

4

Stereo

5

6

Stereo

MASTER

50

50

10

10

15

15

50

50

-25

-25

10

10

mic

mic

line

line

mic

mic

dB

dB

dB

dB

Gain

Gain

Gain

Gain

High

High

High

High

Mid

Mid

Mid

Mid

0

0

0

0

-15

-15

-15

-15

+15

+15

+15

+15

0

0

0

0

-12

-12

-12

-12

+12

+12

+12

+12

Low

Low

Low

Low

0

0

0

0

-15

-15

-15

-15

+15

+15

+15

+15

Eff

Eff

Eff

Eff

0

0

0

0

-15

-15

-15

-15

Pan

Pan

Bal

Bal

R

R

R

R

L

L

L

L

mix

mix

mix

mix

Vol

Vol

Vol

Vol

0

0

0

0

-15

-15

-15

-15

-5

-5

-5

-5

-40

-40

-40

-40

0

-15

Phones

10

0

5

CD/Tape

toMain

Out

0

-15

Mono

Main

Stereo

Main

Ph.

0

-15

0

-15

EffSend

Effto

Main

Snd

Return

L

R

Foot

Sw

Effect

Mic

Mic

Mic

Mic

Line

Line

R4

L3mono

R6

L5mono

L

R

CD/TapeIn

TapeOut

StereoMain

L

R

MonoMain

Ph.

Pwr

-10

-5

0dB

6

Left

Right

1

2

3

5

Stereo

4

6

Stereo

1.Chorus

2.Flange

3.Delay1

4.Delay2

5.Chorus/Room1

6.Chorus/Room2

7.VocalCancel

8.RotarySpeaker

9. Hall1

10.Hall2

11.Room1

12.Room2

13.Room3

14.Plate1

15.Plate2

16.Plate3

Effect

Selector

12

13

1 4

5

6

7

8

9

10

11

1 6

1

2

3

4

1 5

1

2

3

4

Stereo

5

6

Stereo

MASTER

50

50

10

10

15

15

50

50

-25

-25

10

10

mic

mic

line

line

mic

mic

dB

dB

dB

dB

Gain

Gain

Gain

Gain

High

High

High

High

Mid

Mid

Mid

Mid

0

0

0

0

-15

-15

-15

-15

+15

+15

+15

+15

0

0

0

0

-12

-12

-12

-12

+12

+12

+12

+12

Low

Low

Low

Low

0

0

0

0

-15

-15

-15

-15

+15

+15

+15

+15

Eff

Eff

Eff

Eff

0

0

0

0

-15

-15

-15

-15

Pan

Pan

Bal

Bal

R

R

R

R

L

L

L

L

mix

mix

mix

mix

Vol

Vol

Vol

Vol

0

0

0

0

-15

-15

-15

-15

-5

-5

-5

-5

-40

-40

-40

-40

0

-15

Phones

10

0

5

CD/Tape

toMain

Out

0

-15

Mono

Main

Stereo

Main

Ph.

0

-15

0

-15

EffSend

Effto

Main

Snd

Return

L

R

Foot

Sw

Effect

XLR

1-Gnd

IN

ININ

ININ

IN

IN

IN

IN

OUT

OUT

ININ

ININ

IN

ININ

IN

IN

IN