Appendix a - a history of eq curves – Abbingdon Music Research PH-77 Reference Class User Manual
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Stereophonic Microgroove LP Records Monophonic Microgroove LP Records
Display Name
Comments
Display Name
Comments
RIAA
Modern stereo LP playback curve
Mono RCA 50
RCA, Urania, Lyrichord
eRIAA
Modern stereo LP playback curve
Mono FFRR 49
Decca & London 1949-1951
but corrects the high frequency roll-off
Mono FFRR 51
Decca & London 1951
and excessive phase shift of vinyl
Mono FFRR 52
Decca & London 1952
cutting lathes (Enhanced RIAA EQ)
RIAA(DMM) Corrects for the hard, metallic sound of DMM Mono FFRR 53
Decca & London post 1953
Columbia
Columbia LP stereo
Mono AES 51
1951 AES Standard
DECCA (FFSS)
Decca & London,Deutsche Grammophon,
Mono Columbia 48
Early Columbia LP mono
Archiv, polygram, NAB, Philips, and ARGO
Mono Columbia 52
Late Columbia LP mono
CCIR 56
Europe pre appx. 1962, Eastern
Mono EMI
Early EMI LP
Europe & Asia pre appx. 1975
Mono CCIR 53
Europe pre appx. 1956
Mono CCIR 56
Europe pre appx. 1962, Eastern
Europe & Asia pre appx. 1975
Monophonic Microgroove LP Records
Mono Bartok
Bartok LP’s
Display Name
Comments
Mono NAB
1942 also NARTB
Mono RIAA
also RCA Orthophonic, adopted pro-
Mono 78 RCA 38
RCA electrical 78RPM post appx. 1938
gressively after 1954
Mono 78 Columbia 38
Columbia electrical 78 RPM post appx.
Mono eRIAA
Same as RIAA, but corrects the high
1938
frequency roll-off and excessive phase
shift of the vinyl cutting lathes (Enhanced
RIAA EQ)
*The RIAA ‘Direct Metal Mastering’ Curve is not a standard EQ Curve. This unqiue AMR ‘Curve’ was developed specifically to correct for the ‘bright’ and
‘metallic’ edge of DMM recordings.
Appendix A - A History of EQ Curves