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Ultramatch pro src2496, Technical background – Behringer SRC2496 User Manual

Page 11

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ULTRAMATCH PRO SRC2496

4. TECHNICAL BACKGROUND

boost step involved prior to recording. This treble boost is undone

during playback. A specific bit (emphasis bit) in the digital data

stream contains the information whether or not the signal has been

processed with this technique. It is however NOT a modification

of the audio signal, but only of the emphasis marker contained in

the digital data stream.

So much for the theory. In practice, a lit EMPHASIS LED does

not necessarily show that the emphasis function has really been

applied. In several situations the emphasis bit was set during the

mastering and editing process due to defective hardware/software—

without any treble boost applied. This error usually remains

undetected when the material is transferred, because modern DAT

recorders no longer have an emphasis indicator for reasons of

rationalization. When the master tape—usually only monitored briefly

on the DAT recorder due to lack of time—arrives at the customer’s

end, it gives him a big surprise: The treble range has been cut in

the DAT recorder by more than 10 dB, which cannot be undone

and results in a dull sound that lacks brilliance in the treble range. It

is for this reason that we equipped the ULTRAMATCH PRO both

with an emphasis status LED and with an additional switch for

manual correction of the emphasis bit setting.

3.5 Line booster, signal refresher

Longer cable lengths or the use of a digital patchbay lead to

deterioration of the signal quality, which may result in a higher

noise floor or even connection failures. Using special input

circuitry your ULTRAMATCH PRO removes jitter, interference

and level loss, thus restoring the signal to perfect quality. As a

consequence, you can also use the SRC2496 to refresh the

signal over longer cable lengths or to restore attenuated and

distorted signals.

3.6 Correcting incorrect sample rates

The sample rate of any device is subject to fluctuation due to

temperature and ageing effects. Normally, an automatic locking

circuit ensures reliable operation even with varying or slightly

fluctuating clock signals. If such fluctuations exceed a certain level,

however, the receiving device cannot be synchronized any longer

to the clock rate supplied and therefore fails to function properly.

Your ULTRAMATCH PRO is totally free from such restrictions,

as it works over the entire bandwidth from 31 to 100 kHz, rather

than only within a small range around the actual sampling rate. The

signal output by the SRC2496 is always synchronized correctly to

the value selected. Thus, you can use your ULTRAMATCH PRO

to “rescue” and work with sampling rates that have been modified

deliberately (vari-pitch function on sampling keyboards or CD

players) or fail to fall within the adjusted range due to rate fluctuations.

3.7 Vari-speed application

There are several reasons for modifying the speed of a digital

playback, e.g. to change the pitch or synchronize the playback to

other devices. In such cases, the ULTRAMATCH PRO can track

the sampling rate as it changes and then output the signal with a

fixed rate of 44.1 kHz (or any other selectable or wordclock-defined

value). Thus, it reliably removes sampling rate fluctuations, which

could otherwise make it impossible to process the digital audio

material any further in the digital domain.

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At its digital input, the ULTRAMATCH PRO accepts

sampling rate fluctuations of up to ±12% from the

adjusted sampling rate, without producing any distortion

at its output. When things get worse, the connection

will not be interrupted, but temporary drops in the signal

quality (distortion) can occur.

3.8 Format converter

Digital data transfer is frequently affected by problems with the

format required. While some devices specifically need S/PDIF

signals on the input side, others can only output AES/EBU. With

the SRC2496 this problem is now history. The input of your

ULTRAMATCH PRO readily accepts any standard used today.

On the output side, you can select either AES/EBU or S/PDIF, so

that it is just a matter of one key press to realize the successful

transfer of your audio material.

3.9 Format interface

Many CD players have no coaxial but only an optical output. Some

DAT recorders, on the other hand, only have a coaxial input. Digital

interface cards for personal computers are usually equipped either

with optical or coaxial connectors. So, when you try to transfer data

from one device to another you are likely to encounter incompatibility

problems, in that one device has an optical connector, while the

other has a coaxial RCA connector. Connection to professional

devices is difficult because of the XLR connectors used there, or

even impossible if they feature optical interfaces.

Such incompatibilities between inputs and outputs are definitely

a thing of the past with the ULTRAMATCH PRO. For example, if

the CD player only has an optical digital output, while the

DAT recorder is equipped with a coaxial RCA input, your SRC2496

will easily eliminate the resulting connection problems with its three

inputs and outputs in all formats. Your ULTRAMATCH PRO allows

for interconnecting virtually any devices that are available on the

market today!

3.10 Patchbay/splitter

The digital outputs of your ULTRAMATCH PRO can all be

operated at the same time. In this case, the input selector functions

as a kind of miniature patchbay determining which signal is sent

to the output. It is not necessary to switch-over the output, because

you can freely select on the down-stream devices which signal to

accept (example: recording active/inactive). Therefore, the outputs

of the ULTRAMATCH PRO carry the identical signal all the time

and are operative simultaneously.

The parallel operation of all three outputs enables you to use

your SRC2496 as a splitter, which is useful for copying material to

several DAT recorders. With some special devices in particular,

which do not allow for looping through the digital data from the

input to the output, this useful function makes it possible to split

up the signal.

4. TECHNICAL BACKGROUND

4.1 A short digression into digital sample rate

conversion

In the past, the conversion of various sample rates into a fixed

value necessitated a whole rack full of components and even then

had some disadvantages that could be measured as increased

noise, distortion or undesirable mirror frequencies (high-frequency

chirping). On the other hand, the sampling rate converter chip

installed in the ULTRAMATCH PRO converts in real time and with

24-bit precision. Its processing is absolutely inaudible and can

only be identified with state-of-the-art, extremely expensive

measuring instruments.

The functional principle is difficult to comprehend, even for

professionals. That is why we are presenting you with an equivalent

model, which describes the processes taking place in the

processor in an easily understandable manner. The processor

carries out an oversampling at the input signal. Between each

sample, more samples are inserted, thereby significantly

increasing the number of sampling points by filling in the gaps.

Subsequently, the signal passes through a variable low-pass filter,

which ensures that the correct limit, below which no problems

with mirror frequencies (aliasing) occur, is observed. Then, the

number of sampling points is distributed in such a way as to obtain

the desired sampling rate at the output. This enormous

oversampling allows the SRC processor to achieve excellent

precision in the complete conversion range. Moreover, it also

simultaneously eliminates any jitter present in the input signal.