Behringer M IC 2200 - Manual (Page 17)

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ULTRAGAIN PRO MIC2200
Never switch on the +48 V supply when you use unbalanced microphones, as this could cause electrical
damage.
Some people hold that the sound of dynamic microphones is affected when the +48 V supply is on, or that
ribbon microphones cannot be operated from an input equipped with +48 V phantom power. None of these
statements is true. As a matter of fact, problems of this kind are caused by one of the following reasons:
1. When the output transformer of the microphone suffers from a short circuit or leakage current at any point,
disturbing noise, clicks or hum can occur. In this case, you should have the microphone repaired.
2. When you connect a microphone while the +48 V supply is switched on, it cannot be guaranteed that both
signal leads of the XLR connectors establish the electrical contact precisely at the same point of time. There-
fore, detrimental current could flow because the connection is temporarily unbalanced. We recommend that
you switch off the +48 V supply before you attempt to connect a microphone.
+
Please make sure that you are using an appropriate microphone before you switch on the
+48 V supply. Read the operating instructions accompanying the microphone. Some condenser
mics might need another type of power supply, older dynamic microphones could be
damaged by the +48 V voltage, and unbalanced microphones should never be operated in
combination with a +48 V power supply.
5.2 The ULTRAGAIN PRO as a level translator
Semi-professional devices in hi-fi and home recording environments are usually operated with a nominal level of
-10 dBV (0.316 V), while the level used in studios is 0 dBu (0.775 V) or +4 dBu (1.23 V). So, when you connect
devices of both types to each other, you should do this via some kind of level translator.
The BEHRINGER ULTRAGAIN PRO is excellently suited for this application. In LINE mode, the OUTPUT
control allows you to raise or lower the input signal level by as much as 20 dB. The functions PHASE REV. and
LO CUT are also enabled in this mode.
5.3 The ULTRAGAIN PRO as a direct-injection box
When electrical signals delivered by instruments such as guitars, keyboards, etc. are transported over long
unbalanced lines, the transmission quality may be affected by hum or other interference signals induced in the
cable. This problem is usually encountered in studio or stage environments, where long cable lengths and
magnetic fields of great magnitude may produce interference.
So-called direct-injection (DI) boxes are used to counter this effect: the DI box converts the unbalanced signal
coming from the instrument into a balanced signal that is sent over the line. Interference induced in balanced
cables is then eliminated by a subsequent differential amplifier (as explained in chapter 3.3).
Using the ULTRAGAIN PRO for this kind of application is easy. Simply connect the line output of your
keyboard to the phone jack input on the ULTRAGAIN PRO. Then use the ULTRAGAIN PRO’s balanced output
to send the signal to a stage box or other transmission chain. You can use both the XLR and phone jack
connectors of the ULTRAGAIN PRO. Set the unit to LINE mode, with any additional functions switched off (an
exception being the OUTPUT control which can be used to adjust levels, if necessary).
5.4 The ULTRAGAIN PRO’s parametric equalizer
In contrast to graphic equalizers with their fixed frequencies and qualities, parametric EQs allow for setting all
filter parameters, such as center frequency, bandwidth and amplitude.
The possibility of determining both the bandwidth and center frequency as well as frequency boost/cut adds a
new dimension to your EQ applications. The high precision of the state-variable filter used in the ULTRAGAIN
PRO enables you to fine-tune frequencies and process your audio material in such a creative way that has
been impossible up to now. The frequency-selection feature allows you to process the entire audio range from
20 Hz to 20 kHz.
Parametric equalizers can be used both as separate signal processors and in combination with conventional
1/3-oct. equalizers, for example, in a sound reinforcement system: while the 1/3-oct. equalizer does the
“rough” correction of the overall frequency response, the ULTRAGAIN PRO could be used to fine-tune the
sound.
5. APPLICATIONS