Allen&Heath ZED60-14FX - Manual (Page 18)

Allen & Heath 18 ZED Sixty 10FX & 14FX User Guide
Line
- 10 10
20
40 60
40
HPF
-15
HF
+15
-15 +15
650
200
120 4k
1k
MID
2k
-15 +15
f
LF
L R
PAN
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
Record
+10
LEVEL
Record
Bus
MAIN
MIX
+6
AUX
+6
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
16 8
5
6
7 15
14
13
2
3
4 12
11
10
1 9 Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TA
P
AUX
Phones
MAIN MIX
FX to
Hi Z
+6
Right
Left
Right
Left
PLAYBACK
AUX
PLAYBACK TO
+6
-15 +15
-15 +15
-15 +15
-15 +15
Record Record Record Record Record
Right
Left
Right
Left
L R
PH
ONES
SELEC
T
0
L M
0
0
- 10 10
20
40 60
40
-15 +15
-15 +15
3k
-15 +15
L R
+6
+6
0
L M
0
0
- 10 10
20
40 60
40
-15 +15
-15 +15
-15 +15
L R
+6
+6
0
G M
0
0
- 10 10
20
40 60
40
-15 +15
-15 +15
-15 +15
L R
+6
+6
0
G M
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
500
650
200
120 4k
1k
2k
3k
500
650
200
120 4k
1k
2k
3k
500
650
200
120 4k
1k
2k
3k
500
Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
HF
MID
f
LF
PAN
AUX
FX
GAIN
HF
MID
f
LF
PAN
AUX
FX
GAIN
BAL BAL
AUX
FX
AUX
FX
LF
HF HF
LF
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0
0
Monitor
Phones
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
Record
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Line
- 10 10
20
40 60
40
HPF
-15
HF
+15
-15 +15
650
200
120 4k
1k
MID
2k
-15 +15
f
LF
L R
PAN
Record
+6
AUX
Mic
+6
FX
0
L M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40 60
40
HPF
-15
HF
+15
-15 +15
650
200
120 4k
1k
MID
2k
-15 +15
f
LF
L R
PAN
Record
+6
AUX
Mic
+6
FX
0
L M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40 60
40
HPF
-15
HF
+15
-15 +15
650
200
120 4k
1k
MID
2k
-15 +15
f
LF
L R
PAN
Record
+6
AUX
Mic
+6
FX
0
L M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40 60
40
HPF
-15
HF
+15
-15 +15
650
200
120 4k
1k
MID
2k
-15 +15
f
LF
L R
PAN
Record
+6
AUX
Mic
+6
FX
0
L M
0
0
3k
GAIN
500
Listen
5
5
0
10
10
MUTE
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
OUT
AUX
FOOTSWITCH
FX OUT/
AC MAINS IN ~
100 - 240V~ 47-63Hz 15W
ALLEN&HEATH
OFF
0 I
ON
Serial No. ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MADE IN CHINA
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
DO NOT OPEN
CAUTION
RISK OF ELECTRIC SHOCK
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
WARNING: THIS APPARATUS MUST BE EARTHED
(2) this device must accept any interference received,
This device complies with Part 15 of the FCC Rules.
(1) this device may not cause harmful interference, and
Operation is subject to the following two conditions:
including interference that may cause undesired operation.
Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan
Apparatet må tilkoples jordet stikkontakt
Apparaten skall anslutas till jordat uttag
CET APPAREIL DOIT ETRE MIS A LA TERRE
Guitar input gain switches
Unity gain
High gain (+26dB)
Main Output Level
0dBu
-30dBu
60065-2003
CERTIFICATED TO CAN/CSA STD.
CONFORMS TO
60065-03
ANSI/UL STD.
ZED60-10FX
Hi Z input
The only difference between these mono inputs is the Hi Z
inputs for guitars or other instruments.
Standard 1/4” (6.25mm) Jack socket for unbalanced line
level signals or instrument pickups. Wired Tip=Hot(+),
Ring=cold (-), Sleeve=Chassis.
The Hi Z input connects to the XLR input through a cir-
cuit, so be aware that the two signals will add together if
both inputs are plugged in simultaneously.
The Hi Z input can be used with normal line level signals
but is designed specifically to match signals from instrument
pickups. The input impedance is extremely high (10Mohms)
and a FET (Field Effect Transistor) running in Class A mode
emulates the type of circuits used in valve guitar combos or
head amplifiers. The input circuit has soft asymmetric over-
drive characteristics, giving a warm 2nd harmonic character
to the sound if required.
Gain Boost
A recessed switch on the rear panel allows the HI Z input to be boosted by 26dB, useful
for instruments with weak pickups or where more overdrive is required. When the XLR
is being used or for normal line level signals (like keyboards)—make sure the switch is in
the OUT position.
Hi Z Input GAIN BOOST OUT Hi Z Input GAIN BOOST IN
MONO INPUT CHANNEL 3&4 (10FX) 7&8 (14FX)