Playback, Ta p, Line – Allen&Heath ZED60-14FX User Manual
Page 16: Main mix, Line mic mic mic, Aux mix, Fx to, Gtr 1, Gtr 2 hpf hpf hpf hf mid f lf pan aux fx, Hf mid f lf pan aux fx
Allen & Heath 16 ZED Sixty 10FX & 14FX User Guide
Line
- 10 10
20
40
60
40
HPF
-15
HF
+15
-15
+15
650
200
120
4k
1k
MID
2k
-15
+15
f
LF
L
R
PAN
Right
Left
L
R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
Record
+10
LEVEL
Record
Bus
MAIN
MIX
+6
AUX
+6
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
16
8
5
6
7
15
14
13
2
3
4
12
11
10
1
9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TA
P
AUX
Phones
MAIN MIX
FX to
Hi Z
+6
Right
Left
Right
Left
PLAYBACK
AUX
PLAYBACK TO
+6
-15
+15
-15
+15
-15
+15
-15
+15
Record
Record
Record
Record
Record
Right
Left
Right
Left
L R
PH
ONES
SELEC
T
0
L
M
0
0
- 10 10
20
40
60
40
-15
+15
-15
+15
3k
-15
+15
L
R
+6
+6
0
L
M
0
0
- 10 10
20
40
60
40
-15
+15
-15
+15
-15
+15
L
R
+6
+6
0
G
M
0
0
- 10 10
20
40
60
40
-15
+15
-15
+15
-15
+15
L
R
+6
+6
0
G
M
0
0
0
0
+6
0
0
0
GAIN
+15
0
5
L
R
+6
0
L
R
+6
0
USB IN L
USB IN R
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
Line
Mic
Mic
Mic
GTR 1
Hi Z
GTR 2
HPF
HPF
HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
HF
MID
f
LF
PAN
AUX
FX
GAIN
HF
MID
f
LF
PAN
AUX
FX
GAIN
BAL
BAL
AUX
FX
AUX
FX
LF
HF
HF
LF
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0
0
Monitor
Phones
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
Record
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Listen
MUTE
Line
- 10 10
20
40
60
40
HPF
-15
HF
+15
-15
+15
650
200
120
4k
1k
MID
2k
-15
+15
f
LF
L
R
PAN
Record
+6
AUX
Mic
+6
FX
0
L
M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40
60
40
HPF
-15
HF
+15
-15
+15
650
200
120
4k
1k
MID
2k
-15
+15
f
LF
L
R
PAN
Record
+6
AUX
Mic
+6
FX
0
L
M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40
60
40
HPF
-15
HF
+15
-15
+15
650
200
120
4k
1k
MID
2k
-15
+15
f
LF
L
R
PAN
Record
+6
AUX
Mic
+6
FX
0
L
M
0
0
3k
GAIN
500
Listen
MUTE
Line
- 10 10
20
40
60
40
HPF
-15
HF
+15
-15
+15
650
200
120
4k
1k
MID
2k
-15
+15
f
LF
L
R
PAN
Record
+6
AUX
Mic
+6
FX
0
L
M
0
0
3k
GAIN
500
Listen
5
5
0
10
10
MUTE
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
5
5
0
10
10
20
OUT
AUX
FOOTSWITCH
FX OUT/
MF EQ
The MF (Mid Frequency) equaliser affects the middle of the
audible frequency range. The frequency graduations on the
sweep control are the centre frequencies of the EQ. The
range has been carefully chosen to cover “boomy” frequen-
cies around 120Hz to 250Hz which may need cutting back, or
a lift at 2 to 3kHz may be required for microphone intelligibil-
ity.
LF EQ
The LF (Low Frequency) equaliser affects the response at the
low end of the audio range. The graph shows the response of
the LF EQ at maximum cut and boost. The corner frequency
is 80Hz.
HF EQ
The HF (High Frequency) equaliser affects the frequency re-
sponse of the higher audible frequencies. The corner frequen-
cy of 12kHz is around 3dB from the maximum cut or boost of
the circuit. It has plenty of gain and actually gives slightly more
that the +/-15dB legend suggests.
10.00 Hz
100.00
1000.00
10000.00
30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz
100.00
1000.00
10000.00
30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz
100.00
1000.00
10000.00
30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
MONO INPUT CHANNEL 1&2 (10FX) 1-6 (14FX)