Allen&Heath XB 14 - Manual (Page 31)

Allen & Heath 31 XB-14 User Guide
APPLICATION DIAGRAM: STUDIO+CONTROL ROOM
O O 10 -30 -20 -5 0 5 -10
ST2 O O 10 -30 -20 -5 0 5 -10
O O 10 -30 -20 -5 0 5 -10 USB RTN
-30 -20 -5 5 0
OO
-10
10
-15 +15 12kHz HF
-15 +15 80Hz LF
L
+16
-6
-9
-20
-30 -16 -12 -3 0VU +3 +6 +9
R PFL ACTIVE
MIN MAX PHONES
AUX MIX B
EXT CRM SPEAKERS
1/2
ST5
USB
AUX+MONO
SEND RETURN
-30 -20 -5 5 0
O O
-10
10
-15 +15 12kHz HF
-15 +15 80Hz LF
ST3 -30 -20 -5 5 0
OO
-10
10
-15 +15 12k Hz HF
-15 +15 80Hz LF
ST1
O O +6
AUX PRE
L R
PAN =
SIGNAL PFL
-30 -20 -5 5 0
OO
-10
10
IN
-15 +15 12kHz HF
-15 +15 80Hz LF
ST7
ST3
L/M
R ST5
L/M
R
L/M
R
L
R
48V
INSERT R MAIN
ST2 L
R
ST4 L
R
REC OUT L
R
CRM SPEAKERS L
R
INSERT M4 INSERT M3
100Hz 12k Hz -15 +15
HF
-15
MF
+15
100Hz 12k Hz -15 +15
HF
-15
MF
+15
M1 M2 M3 M4 ST1 ST2 ST3 ST4 PGM
PHANTOM POWER
AL
LE
N
H EA
TH
LINE LINE
MIC MIC
ST7 ST1
L/M
R
AUX
INSERT L
-6 -10 63 26
GAIN MIC 0 LINE
10 0 10 20 30 40 50 -6 -10 63 26
GAIN MIC 0 LINE
10 0 10 20 30 40 50
-15 +15 80Hz LF
-15 +15 80Hz LF
120Hz 4k 200 2k 650 500 1k
3k 120Hz 4k 200 2k 650 500 1k
3k
+16
-6
-9
-20
-30 -16 -12 -3 0VU +3 +6 +9
T2
PEAK
T1
CUT SPKS DIM SPKS
TO MICS
L R
PAN =
SIGNAL PFL
PEAK
L R
PAN =
SIGNAL PFL
PEAK
L R
PAN =
SIGNAL PFL
PEAK
L R
PAN =
SIGNAL PFL
PEAK
L R
PAN =
SIGNAL PFL
PEAK
L R
BAL =
SIGNAL PFL
PEAK SIGNAL PFL
PEAK
L R
BAL =
SIGNAL PFL
PEAK
L R
BAL =
SIGNAL PFL
PEAK
PFL ENABLE TO GUEST
INSERT M2 INSERT M1
LINE L INE
MIC MIC
100Hz 12kHz -15 +15
HF
-15
MF
+15
12kHz -15 +15
HF
-15
MF
+15
-6 -10 63 26
GAIN MIC 0 LINE
10 0 10 20 30 40 50 -6 -10 63 26
GAIN MIC 0 LINE
10 0 10 20 30 40 50
-15 +15 80Hz LF
-15 +15 80Hz LF
120Hz 4k 200 2k 650 500 1k
3k 120Hz 4k 200 650 500 1k
3k
100Hz 12kHz -15 +15
HF
-15 +15 80Hz LF
CLF OUT
TELCO 1
TEL IN
CLF OUT
TELCO 2
TEL IN
100Hz 12kHz -15 +15
HF
-15 +15 80Hz LF
TALK TALK
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
O O +6
PRE
CLF SCE
3/4 5/USB
GUEST PHONES 1 GUEST PHONES 2 CRM PHONES
EXT MON IN L
R
ST1
ST2
ST4
ST3
ST6 (USB)
ST5
0
5
10
15
20
30
40 50 OO
MIN MAX
CRM
TALK TO GUEST
L R
BAL =
PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR PGM FDR
MIX B BUS BUS BUS BUS BUS BUS BUS BUS BUS BUS
MIX B
POWER
MIX B OUT L
R
ST6 ST4
MIN MAX L EVEL MIX B
PGM MIX FADER
AUX AUX AUX AUX AUX AUX AUX AUX AUX
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
USB SOURCE SELECT
CRM+PHONES SELECTION
MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B
PGM MIX
USB
PHONES
MIN MAX
GUEST
GUEST PHONES SELECTION PGM
AUX CL F SCE PGM
AUX
MIC FADER UP =CUT SPKS
+START/ CUE +START/CUE +START/CUE +START/CUE
REM M UTE REM MUTE REM MUTE REM M UTE
MONO
OUT
100Hz
IN
MON
OUT
&
-1O 26 -5 5 10 20 0
-1O 26 -5 5 10 20 0 GAIN GAIN M1 M2 M3 M4 T1 T2
PGM
Operator/Producer
Amp
Control Room
Monitor Speakers
Guest
Presenter
TX 1
Broadcast
Transmission
Method
Telephone caller Telephone caller
CD
Jingle
CD
Limit
Telephone call handling
Telephone
Hybrid Module
Studio
Control Room
Music sources
Sound sources
Compressor/Limiter
Computer for sound
sources and
recording via USB
KEY
Microphone signals to mono inputs
Telephone line in (or exchange)
Line level to/from telephone module
Line level stereo signals
Headphone signals
Program mix for transmission
PGM inserts to limiter
Separate studio & control
room setup.
USB lead