Yamaha DX27 EN User Manual
Page 42
If you choose to program a voice from scratch, you’ll need to have a clear memory
location (or one containing a voice that you either don’t want or have already backed
up on cassette tape, so that when you’ve completed programming the voice, you
can save it). Since all editing is done in the separate voice edit buffer, nothing is
erased while you are actually programming the voice. But when you save the new
voice, whatever was in that memory location will be erased and replaced by the
new data.
40
See also other documents in the category Yamaha Synthesizers:
- PSR-1100 (170 pages)
- PSR-1100 (176 pages)
- PSR-290 (98 pages)
- YPT-310 (90 pages)
- CLP-230 (89 pages)
- CLP-230 (90 pages)
- YPT-300 (84 pages)
- DGX-205 (90 pages)
- MM8 EU (116 pages)
- MOX8 (14 pages)
- MOTIF XS8 (320 pages)
- PSR-4600 (30 pages)
- PSR-32 (20 pages)
- PSR-530 (130 pages)
- PSR-510 (77 pages)
- PSR-330 (90 pages)
- PSR-3500 (84 pages)
- PSR-500 (47 pages)
- PSR-41 (13 pages)
- PSR-4000 (165 pages)
- PSR-38 (55 pages)
- PSR-520 (102 pages)
- PSR-340 (128 pages)
- PSR-40 (16 pages)
- PSR-36 (28 pages)
- PSR-48 (45 pages)
- PSR-420 (75 pages)
- PSR-420 (73 pages)
- PSR-300m (39 pages)
- PSR-37 (30 pages)
- PSR-4500 (48 pages)
- PSR-50 (32 pages)
- PSR-410 (61 pages)
- PSR-540 (160 pages)
- PSR-540 (161 pages)
- PSR-31 (20 pages)
- CLP-100 (11 pages)
- CLP-122S (31 pages)
- CLP-123 (30 pages)
- CLP-30 (11 pages)
- CLP-300 (11 pages)
- CLP-250 (17 pages)
- CLP-260 (19 pages)
- CLP-280 (124 pages)
- CLP-550 (19 pages)