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Using tonelab for direct-line recording, Tonelab f, Sing – Vox E 1 User Manual

Page 23: Irect, Ecording

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Introduction

Panel Tour

Setup

Program/

Manual

Creating

and Storing

13

NOTE: Since ToneLab uses an actual valve (vacuum tube), it will produce no
sound for several seconds until the valve warms up. This isn’t a malfunction – it’s
just the nature of valves.

U

SING

ToneLab F

OR

D

IRECT

-L

INE

R

ECORDING

E

XAMPLE

OF

A

NALOGUE

C

ONNECTIONS

• When using ToneLab for analogue recording, set the rear panel AMP/LINE

switch (9.1) to the “LINE” position, and connect the OUTPUT L/MONO and R
jacks (9.2) to the channel input jacks of your mixer or recorder.

HINT: If you’re using a mono connection, use the OUTPUT L/MONO jack.

HINT: If you’re using stereo connections, pan the input channels of your mixer/
recorder to the far left and right respectively.

E

XAMPLE

OF

D

IGITAL

C

ONNECTIONS

• When using ToneLab for digital recording, set the rear panel AMP/LINE switch

(9.1) to the “LINE” position, and connect ToneLab’s S/P DIF OUT jack (9.4) to
the digital input jack (S/P DIF format IEC60958 EIAJ CP-1201) of your mixer or
recorder.

NOTE: The volume of the S/P DIF OUT jack is adjusted by the GLOBAL setting
“DOUT LVL.” See p.50 for details.

INPUT

ToneLab

Tape

Send

Tape

Return

LINE IN 1

PAN L

LINE IN 2
PAN R

R

OUTPUT
L/MONO

LINE/AMP

LINE

MIC

1

BAL
OR

UNBAL

LINE IN 1

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

LINE IN 7-8

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 9-10

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 11-12

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

LINE IN 13-14

L

R

BAL
OR

UNBAL

MONO

+4
-10

LEVEL

STEREO AUX RETURNS

1

2

1

2

AUX SEND

LEFT(1/MONO)

RIGHT

ALL BAL/UNBAL

L

R

TAPE
INPUT

TAPE

OUTPUT

MAIN OUTS

L

R

BAL/UNBAL

PHONES

MICRO SERIES 1402-VLZ

14-CHANNEL MIC/LINE MIXER

MIC

2

BAL
OR

UNBAL

LINE IN 2

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

3

BAL
OR

UNBAL

LINE IN 3

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

4

BAL
OR

UNBAL

LINE IN 4

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

5

BAL
OR

UNBAL

LINE IN 5

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

6

BAL
OR

UNBAL

LINE IN 6

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

1

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

2

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

60

30

40
50

60

30

40
50

60

30

40
50

60

30

40
50

60

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

3

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

4

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

5

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

6

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

7–8
MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

9–10
MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

11–12

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

60

U

+15

U

+15

AUX

1

MON/
EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

13–14

MUTE
A LT 3 – 4

EQ

HI

12kHz

MID
2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40
50

dB
10

5

U

5

10

20

dB
10

5

U

5

10

20

U

+10

U

+20

U

+20

1

2

AUX 1 MASTER

PRE
POST

NORMALLED

AUX 1
SELECT

EFX TO
MONITOR

AUX

RETURNS

SOURCE

MAIN
MIX

LEFT

RIGHT

CLIP

+28

+10

+7

+4

+2

0

-2

-4

-7

-10

-20

-30

0dB=0dBu

RUDE SOLO LIGHT

ALT
3-4

TAPE

ASSIGN

TO MAIN MIX

NORMAL(AFL)
LEVEL SET(PFL)

SOLO
MODE

PHANTOM

POWER

CONTROL

ROOM

/ PHONES

MAIN MIX

PHONES

Headphones

Mixer/recorder

Guitar

Mono jack

S/P DIF OUT

INPUT

ToneLab

S/P DIF IN

PHONES

Headphones

Digital mixer/recorder

Guitar

Mono jack