Roland MIDI Implementation F-120R - Manual (Page 25)

MIDI Implementation
25
●0143: Space D
This is a multiple chorus that applies two-phase modulation in stereo. It gives no
impression of modulation, but produces a transparent chorus eff ect.
No Parameter Value Description
1 Pre Delay 0–125
0.0–100.0
ms
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
2 Rate Mode 0–1 Hz, note
When this is set to “note,” the
eff ect is synchronized with the
tempo.
3 Rate #1 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
4 Rate 0–21 note Frequency of modulation (note)
5 Depth #2 0–127 0–127 Depth of modulation
6 Phase 0–90 0–180 deg Spatial spread of the sound
7 Low Gain 0–30 -15–+15 dB Gain of the low range
8 High Gain 0–30 -15–+15 dB Gain of the high range
9 Balance 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the chorus
sound (W)
10 Level 0–127 0–127 Output Level
●0144: 3D Chorus
This applies a 3D eff ect to the chorus sound. The chorus sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value Description
1 Filter Type 0–2 Off , Lpf, Hpf
Type of fi lter
Off : No fi lter is used
Lpf: Cuts the frequency range
above the Cutoff Freq
Hpf: Cuts the frequency range
below the Cutoff Freq
2 Cutoff Freq 0–16 200–8000 Hz Basic frequency of the fi lter
3 Pre Delay 0–125 0.0–100.0 ms
Adjusts the delay time from
the direct sound until the
chorus sound is heard.
4 Rate Mode 0–1 Hz, note
When this is set to “note,” the
eff ect is synchronized with the
tempo.
5 Rate #1 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
6 Rate 0–21 note
Frequency of modulation
(note)
7 Depth #2 0–127 0–127
Modulation depth of the
chorus eff ect
8 Phase 0–90 0–180 deg Spatial spread of the sound
9 Output Mode 0–1
Speaker,
Phones
Adjusts the method that will
be used to hear the sound
that is output to the OUTPUT
jacks.
The optimal 3D eff ect will
be achieved if you select
Speaker when using speakers,
or Phones when using
headphones.
10 Low Gain 0–30 -15–+15 dB Gain of the low range
11 High Gain 0–30 -15–+15 dB Gain of the high range
12 Balance 0–100
D100:0W–
D0:100W
Volume balance between
the direct sound (D) and the
chorus sound (W)
13 Level 0–127 0–127 Output Level
●0145: 2Band Chorus
A chorus eff ect that lets you apply an eff ect independently to the low-frequency and
high-frequency ranges.
No Parameter Value Description
1 Split Freq 0–16 200–8000 Hz
Frequency at which the
low and high ranges will be
divided
2
Low Pre
Delay
0–125 0.0–100.0 ms
Delay time from when the
original sound is heard to
when the low-range chorus
sound is heard
3
Low Rate
Mode
0–1 Hz, note
When this is set to “note,” the
eff ect is synchronized with the
tempo.
4 Low Rate 1–127
0.05–10.00
Hz
Rate at which the low-range
chorus sound is modulated
(Hz)
5 Low Rate 0–21 note
Rate at which the low-range
chorus sound is modulated
(note)
6
Low Depth
#1
0–127 0–127
Modulation depth for the
low-range chorus sound
7 Low Phase 0–90 0–180 deg
Spaciousness of the low-range
chorus sound
8
High Pre
Delay
0–125 0.0–100.0 ms
Delay time from when the
original sound is heard to
when the high-range chorus
sound is heard
9
High Rate
Mode
0–1 Hz, note
When this is set to “note,” the
eff ect is synchronized with the
tempo.
10 High Rate 1–127
0.05–10.00
Hz
Rate at which the low-range
chorus sound is modulated
(Hz)
11 High Rate 0–21 note
Rate at which the low-range
chorus sound is modulated
(note)
12
High Depth
#2
0–127 0–127
Modulation depth for the
high-range chorus sound
13 High Phase 0–90 0–180 deg
Spaciousness of the high-
range chorus sound
14 Balance 0–100
D100:0W–
D0:100W
Volume balance of the original
sound (D) and chorus sound
(W)
15 Level 0–127 0–127 Output volume