KORG Personal Multi-Effect Processor PX5D User Manual
Page 113
113
Edit-Modus ........................................... 136
DYNA: Dynamics & Pickup Modeling ................... 136
AMP: Amp Modeling ................................................. 137
CAB: Cabinet Modeling ............................................ 137
MOD: Modulation & Filter Effect Modeling ......... 138
DLY: Delay Modeling ................................................. 138
DLY: Delay Time (Delay-Zeit) .................................. 138
REV: Reverb Modeling .............................................. 138
NR: Noise Reduction/Rauschunterdrückung ...... 139
RENAME: Umbenennung ......................................... 139
WRITE: Speichern ....................................................... 139
Utility-Modus ........................................ 140
BACKLIT (Rückbeleuchtung):
LCD-Rückbeleuchtung ein/aus ............................... 140
KEY-TRN: Tonartentransposition (Key transpose) 140
KTR+BC: Tonartentransposition und Bass-Löschen
(Key transpose + bass cancel) ................................... 141
AMP/LIN: Line/Verstärker-Auswahl .................... 141
FOOTSW: Fußschalter (Footswitch)
Schaltpedaleinstellungen .......................................... 142
USBSEND: USB Send ................................................. 143
USB RCV: USB Receive .............................................. 143
AUX>USB: USB-Audio-Schnittstelle ...................... 143
MIDDRUM: MIDI Drum/Bass ................................ 144
Laden werkseitig eingestellter Daten ..... 144
Effektparameterliste .............................. 145
DYNA: Dynamics & Pickup modeling ........... 145
AMP: AMP Modeling ......................................... 147
CAB: Cabinet modeling ...................................... 151
MOD: Modulation&Filter Effect Modeling .. 153
DLY: Delay Modeling .......................................... 157
REV: Reverb Modeling ....................................... 158
Parameterliste der Preset-Programme ... 159
Auflistung der Rhythmus-Patterns .......... 160