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Control room/phones and meters, Headphone output, Lamp – MACKIE ONYX 1640I User Manual

Page 19: Main mix, Owner's manual 19

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Owner's Manual

19

42. HEADPHONE OUTPUT

This 1/4" TRS connector supplies the output to your

stereo headphones. It is the same signal that is routed
to the control room outputs [16], as determined by the
control room/phones source matrix [44, 45]. The
volume is controlled with the phones knob [48], right
next to the control room knob [47].

Whenever a solo switch [41] is engaged, you will

only hear the soloed channel(s) in the headphones.
This gives you the opportunity to audition the channels
before they are added to the main mix. (Solo signals
reaching the headphones are not affected by the
channel level or main level, therefore turn down the
phones level fi rst, as soloed channels may be loud.)

The phones output follows standard conventions:

Tip = Left channel

Ring = Right channel

Sleeve = Common ground

WARNING: The headphone amp is loud, and
can cause permanent hearing damage. Even
intermediate levels may be painfully loud

with some headphones. BE CAREFUL! Always turn the
phones level control [48] all the way down before
connecting headphones or pressing a solo switch, or
doing anything new that may affect the headphone
volume. Then turn it up slowly as you listen carefully.

43. LAMP

This female BNC connector provides 12 volts DC on

its center pin. Connect any quality gooseneck lamp
here.

44. MAIN MIX

Press this switch in to listen to the main mix in your

control room and headphones, and to check the main
mix levels in the meters. In addition to the main mix,
you can listen to any combination of tape, FireWire and
recording outs, depending on which of these switches
[45] is engaged.

If the assign to main mix switch [46] is
engaged, you cannot hear the main mix in the
control room or headphones, or see its level

on the meters. This is to prevent feedback caused by
sending the main mix to the main mix.

Control Room/Phones and

Meters

Typically, the engineer sends the main mix to an

audience (for a live show) or to a mixdown deck (if
recording). But what if the engineer needs to hear
something other than the main mix in the control room
or headphones? With the Onyx 1640i, the engineer has
several choices of what to listen to. This is one of those
tricky parts, so buckle up.

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

CONTROL

ROOM

PHONES

RUDE

SOLO

20

15

10

6

3

0

2

4

7

10

20

30

SUB 3-4

FW 1-2

SUB 1-2

TAPE

ASSIGN TO

MAIN MIX

MAIN MIX

LEVEL

SET

CLIP

12V 0.5A

LAMP

CTRL ROOM/PHONES

SOURCE

MAX

O

O

MAX

O

O

SOLO

LEVEL

PFL

AFL

TAPE TO

MAIN MIX

TAPE IN

MAX

O

O

MAX

O

O

SOLO

MODE

L

R

0dB=0dBu

42

43

45

45

44

46

47

48

49

51

54

53

52

50