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Specifications, Mixer tape transport recorder – Yamaha MT8XII User Manual

Page 58

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Specifications

51

MT8XII—Owner’s Manual

Specifications

Mixer

Tape Transport

Recorder

Frequency Response

LINE IN (GAIN max.)–STEREO OUT

20 Hz–20 kHz +1, –4 dB

LINE IN (GAIN min.)–STEREO OUT

LINE IN (GAIN min.)–PHONES

Noise Level
(12.7 kHz: –6 dB/oct.
L.P.F.)

Equivalent Input Noise

–115 dB (Rs=150

)

STEREO OUT

–80 dB/CH (STEREO fader at 7–8 mark)

S/N Ratio (at rated
input & output levels)

LINE IN (GAIN max.)–STEREO OUT

68 dB, IHF-A

LINE IN (GAIN min.)–STEREO OUT

70 dB, IHF-A

Distortion (1 kHz signal
at rated input & output
levels)

LINE IN (GAIN max.)–STEREO OUT

0.3% (30 kHz L.P.F.)

LINE IN (GAIN min.)–STEREO OUT

0.05% (30 kHz L.P.F.)

EQ

LOW

±

12 dB @ 80 Hz, shelving

MID

±

12 dB @ 250 Hz–5 kHz, sweepable

HIGH

±

12 dB @ 12 kHz, shelving

Tape Type

C46–C90, Cr0

2

(Bias: HIGH, EQ: 70

µ

s)

Track Configuration

8-track

Tape Heads

Record–play

8-track Hard Permalloy

Erase

8-track ferrite

Motors

Capstan

DC servo motor x1

Reel

DC motor x1

Mechanism

DC motor x1

Tape Speed

9.5 cm/sec

Pitch Control

Approximately

±

12%

Wow & Flutter

Less than 0.08% WRMS

Rewind Time

Normal Rewind

Approximately 95 seconds for a C60 tape

High-Speed Rewind

Approximately 75 seconds for a C60 tape

Overall Frequency Response

50 Hz–14 kHz +3, –5 dB (dbx NR off)

Overall S/N Ratio

80 dB/IHA-F (at 3% distortion level, dbx NR on)

Overall Distortion

2% (400 Hz, –10 dB)

Overall Channel Separation (adjacent channels)

60 dB (1 kHz, –10 dB, dbx NR on)

Erasure Rate

55 dB (1 kHz, 0 dB)

Noise Reduction

dbx NR (SYNC position: TR8 = off)