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Auto accompaniment, Fngrngmd, F1: the fingered 1 mode – Yamaha PSR-330 User Manual

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Auto Accompaniment

F1: The FINGERED 1 Mode

The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPA-
NIMENT section of the keyboard (i.e. all keys to the left of and including the split-
point key — normally 54) while the PSR-330 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode recognizes the following chords:

F1

FngrngMd

• Notes in parentheses

can be omitted.

• If you play any three

adjacent keys (includ-
ing black keys), the
chord sound will be
cancelled and only
the rhythm instru-
ments will continue
playing (CHORD
CANCEL function).

• An octave produces

accompaniment
based only on the
root.

• A perfect fifth (1 + 5)

produces accompani-
ment based only on
the root and fifth
which can be used
with both major and
minor chords.

• The chord fingerings

listed are all in “root”
position, but other in-
versions can be used
— with the following
exceptions:

m7, m7

b

5, 6, m6,

sus4, aug, dim7,
7

b

5, 6(9), m7_11,

1+2+5.

• Inversion of the

7sus4, 7

#

11 chord are

not recognized if the
5th is omitted.

Chord Name/[Abbreviation]

Normal Voicing

Major [M]

1 - 3 - 5

Add ninth [(9)]

1 - 2 - 3 - 5

Sixth [6]

1 - (3) - 5 - 6

Sixth add ninth [6(9)]

1 - 2 - 3 - (5) - 6

Major seventh [M7]

1 - 3 - (5) - 7 or
1 - (3) - 5 - 7

Major seventh ninth [M7(9)]

1 - 2 - 3 - (5) - 7

Major seventh sharp eleventh [M7

#

11]

1 - 2 - 3 -

#

4 - (5) - 7 or

1 - (2) - 3 -

#

4 - 5 - 7

Flatted fifth [(

b

5)]

1 - 3 -

b

5

Major seventh flatted fifth [M7

b

5]

1 - 3 -

b

5 - 7

Suspended fourth [sus4]

1 - 4 - 5

Augmented [aug]

1 - 3 -

#

5

Major seventh augmented [M7aug]

1 - (3) -

#

5 - 7

Minor [m]

1 -

b

3 - 5

Minor add ninth [m(9)]

1 - 2 -

b

3 - 5

Minor sixth [m6]

1 -

b

3 - 5 - 6

Minor seventh [m7]

1 -

b

3 - (5) -

b

7

Minor seventh add ninth [m7(9)]

1 - 2 -

b

3 - (5) -

b

7

Minor seventh eleventh [m7_11]

1 - (2) -

b

3 - 4 - 5 - (

b

7)

Minor major seventh [mM7]

1 -

b

3 - (5) - 7

Minor major seventh ninth [mM7(9)]

1 - 2 -

b

3 - (5) - 7

Minor seventh flatted fifth [m7

b

5]

1 -

b

3 -

b

5 -

b

7

Minor major seventh flatted fifth [mM7

b

5]

1 -

b

3 -

b

5 - 7

Diminished [dim]

1 -

b

3 -

b

5

Diminished seventh [dim7]

1 -

b

3 -

b

5 - 6

Seventh [7]

1 - 3 - (5) -

b

7 or

1 - (3) - 5 -

b

7

Seventh flatted ninth [7(

b

9)]

1 -

b

2 - 3 - (5) -

b

7

Seventh flatted thirteenth [7

b

13]

1 - 3 - 5 -

b

6 -

b

7

Seventh ninth [7(9)]

1 - 2 - 3 - (5) -

b

7

Seventh sharp eleventh [7

#

11]

1 - 2 - 3 -

#

4 - (5) -

b

7 or

1 - (2) - 3 -

#

4 - 5 -

b

7

Seventh add thirteenth [7(13)]

1 - 3 - (5) - 6 -

b

7

Seventh sharp ninth [7(

#

9)]

1 -

#

2 - 3 - (5) -

b

7

Seventh flatted fifth [7

b

5]

1 - 3 -

b

5 -

b

7

Seventh augmented [7aug]

1 - 3 -

#

5 -

b

7

Seventh suspended fourth [7sus4]

1 - 4 - (5) -

b

7

One plus two plus five [1+2+5]

1 - 2 - 5

Chord (C)

Display

C

C

C(9)

C(9)

C6

C6

C6(9)

C6(9)

CM7

CM7

CM7(9)

CM7(9)

CM7

#

11

CM7

#

11

C(

b

5)

C(

b

5)

CM7

b

5

CM7

b

5

Csus4

Csus4

Caug

Caug

CM7aug

CM7aug

Cm

Cm

Cm(9)

Cm(9)

Cm6

Cm6

Cm7

Cm7

Cm7(9)

Cm7(9)

Cm7_11

Cm7 11

CmM7

CmM7

CmM7(9)

CmM7(9)

Cm7

b

5

Cm7

b

5

CmM7

b

5

CmM7

b

5

Cdim

Cdim

Cdim7

Cdim7

C7

C7

C7(

b

9)

C7(

b

9)

C7

b

13

C7

b

13

C7(9)

C7(9)

C7

#

11

C7

#

11

C7(13)

C7(13)

C7(

#

9)

C7(

#

9)

C7

b

5

C7

b

5

C7aug

C7aug

C7sus4

C7sus4

C1+2+5

C