Recording segments – SP Studio Systems SP-12 User Manual
Page 30

RECORDING SEGMENTS
© E-mu Systems, Inc. 1985
Page 30
Enhanced by The Emulator Archive 2002 www.emulatorarchive.com 
 
Fig. 2-3
 
This illustrates an important point: Use the least amount of resolution needed. If you 
are recording a simple snare back beat, there’s no point in using an Auto Correct 
setting with any more resolution than eighth notes. To record something more 
complex, set a finer resolution (such as sixteenth or even thirty-second notes). 
 
You may change Auto Correct while you are in segment mode, whether the SP-12 is 
running or stopped. If you change Auto Correct while the SP-12 is running, the 
change takes effect at the end of the segment. Changing Auto Correct as desired 
takes the pressure off of recording long drum parts -- use low resolution to record 
most of a part, and then switch over to finer resolution to record more complex 
rhythms. Note that recording triplets is easy; since there are four triplet Auto Correct 
options, and that alternating between triplet and non-triplet Auto Correct modes lets 
you record complex polyrhythms. 
 
Another option is high-resolution mode, where the SP-12 places beats exactly where 
you play them rather than “rounding them off” to the nearest specified note. This 
allows syncopation, beats which slightly lead or lag the rhythm, and so on. 
 
When programming in step time, the Auto Correct setting determines the rhythmic 
value of’ each step. For example, with an Auto Correct setting of 1/8, you will step 
through the song an eighth note at a time. Selecting HiRes mode steps through the 
song at a rate equivalent to sixty-fourth note triplets. See later for more information 
on step time recording. 
