Vir2 Instruments MOJO - Manual (Page 28)

MOJO is an extremely complicated instrument, and without proper
management, using it in a sequencing environment can be daunt-
ing. What follows is a list of tips that can make the use of MOJO
much smoother.
TIP 01: At the beginning of each MIDI track that is triggering MOJO,
write in the starting articulation keyswitch (e.g. sustain), the Players
knob setting (solo or 2-10 players), and the Mode (poly, mono, or
legato). This insures that every time you rewind your sequence to
the beginning, the MOJO instrument will reset itself to the same
starting point. The location of these keyswitches is different for
each instrument in MOJO, therefore, you will save time by initially
writing these “reset” commands at the beginning of the sequence
so that MOJO can be reset at any time.
TIP 02: If you would like to sequence multiple solo lines of the
same instrument (for example, four alto sax parts all playing le-
gato), you can load up four instances of the Alto Sax instrument.
This is useful if you require fluid legato playing for each of the
four voices. Because all four instances are using the same set of
core samples, the same amount of RAM is used whether you are
running four Alto Sax instances or one.
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JO /
HORN SECTION
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CHAPTER 04 /
TIPS ON EFFECTIVE SEQUENCING
MOJO/
TIPS
ON
EFFECTIVE
SEQUENCING
CHAPTER 04