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Accessories, Package, Directivity knowing your microphone – Superlux TOP258 User Manual

Page 2: Mounting the microphone maintainence, Using a handheld microphone, Type of transducer about frequency response, Goang-fann co.,ltd

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Accessories

Supplied accessories

Optional accessories

Microphone clip -------

----

-------- HM38S

5/8"~3/8" adapter -----

----------

YA1

--------

----------------

-------------------------

-

Package

Large crash-proof carrying case -

------- A2 carrying case

------------

-

Foam windscreen, various color -----------

------------ S40

Table stand ---

--- HM6

-------

--- ------- MS131

---------

-------

------

--------------------------------------------

Adjustable boom stand

-------------------

--

Instrument boom stand

----------------------

MS104

MS131

Adjustable

boom stand

MS104

Instrument

boom stand

HM6

Table stand

S40

Foam windscreen

·

·
·

·
·

TOP248S incorporating an silent On/Off magnetic spring switch with
locking plate.

Typical and classical vocal frequency response.

Designed for lead vocal, speech, and human
voice performances.

High intelligibility

Super cardioids polar pattern, high GBF (gain
before feedback).

TOP248S

Magnetic reed switch

Lockable switch

YA1

5/8"~3/8" adapter

HM38S

Microphone clip

Type of transducer

About Frequency Response

Suitable for working at controlled environment, or for acoustic measurements.

Although people persuit flatness, but for none-professionals, it is a challenge to makes

it works as expectation.

Flat

Based on years of practical experience of pro users. There are curves to be build for

various applications, so that it is very simple to use the microphone for the purpose.

Limiting bandwidth, and emphasing are typical skill.

Popular curve response

Incorporating switchable filters to elliminates interference, such as sub-sonic filter to

cut air-conditioner and floor vibrations. And allows full flat when used in controlled

environment.

Variable response

Directivity

Knowing your microphone

Superlux provides variety selection of microphones for professionals and amatures. To

know your microphone is the first step to successful result.

Durable and simple structure, operates in all kinds of environments. A good dynamic

microphone is capable to operate at very high sound pressure level without distortion.

Due to structure limit, dynamics cannot be built as small as condenser, but dynamics

doesn require power to operate.

Dynamics

Narrower than cardioid pattern. Suitable for multiple microphone setup. Least sensitive

angle pointing toward side to rear where most stage monitors are located. Same

proximity effect as cardioid microphone.

Super Cardioid

Mounting the microphone

Maintainence

Pressure gradient microphone is very sensitive to vibration. Suitable shock mount for

high performance microphone is necessary for extreme low noise recording. Sturdy

stand can set the microphone excatly at the sweet spot and keep it there. Choose heavy

duty microphone stand for studio condenser microphone which weights much more

than handle microphone.

Superlux provides wide range of microphone stands for various demands. Big Foot

Willie is specially developed for large condenser microphones that able to support 2

large microphones with stereo bracket for single point stereo recording.

Extension foot on all the 'E' versions serve to mount heavy studio microphone in limit

space live sound applications.

Using a handheld microphone

For best signal to noise ratio, distance from the handheld microphone to the sound source

shall be as short as possible.

For higher gain before feedback and lowest background noise, the microphone shall be

pointed directly to the sound source. (refer to the illustration below) The sensitivity of a super

cardioid microphone is highest on axis and lowest at 120 to 135 degrees.

To avoid interference between multiple microphones, each sound source shall be picked-up

by one microphone, use as less microphones as possible in one space, or turn-on as less

microphones as possible at the same time.

To reduce crosstalk between microphones, an 1:3 guide line shall be follow: The distance

between microphone A to the sound source A is

1

, the distance between any other

microphone to the sound source A shall be more than 3 times.

When the (super) cardioid microphone get closer to the sound source, the low frequency

response is boosted, as so call

proximity effect

. Experience singer takes advantages of

the proximity effect to improve the richness of his/her voice or to increase the bass of the

instrument as if an extremely high quality equalizer is used. Same idea to reduce the bass by

increase the distance to reduce the bass when needed.

Reflecting surface affect sound as well. Beware of these surfaces such as wall, table, or floor.

Place the microphone away from the hard surfaces or directly contact these surfaces to form a

pressure zone microphone.

When using the microphone outdoor or in windy environment, additional foam wind screen

helps to reduce wind noise.

Keep grill pop screen clean to avoid degrading the sound quality. Do not expose the

microphone at high humidity/temperature environment to avoid damage.

“ ”

Condenser microphone shall be kept in low humidity environment for best sound

performance. Store the condenser microphones in airconditioned room or dehumidifier

to keep away form moisture. Clean air is another important factor. Keep away from

smoking environment to avoid tar residuals.

90

20-50mm

180

0

90

120 ~135

120 ~135

Monitor

Loudspeaker (s)

P.A. System

Loudspeaker

Recommended

Loudspeaker Locations

GF

PRO

A

UDIO

Shanghai Shenzhen Taipei

T e l : 8 8 6 - 2 - 2 6 9 3 1 3 2 3
F a x : 8 8 6 - 2 - 2 6 9 4 8 9 9 0
E - m a i l : s a l e s @ s u p e r l u x . c o m . t w
H t t p : / / w w w . s u p e r l u x . c o m . t w

GOANG-FANN CO.,LTD.

3 F , N o . 7 , A l l e y 2 , L a n e 3 4 2 , F u - D e r 1 s t R o a d
H s i c h i h , T a i p e i , T a i w a n

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