Dangerous Music BAX EQ - Manual (Page 10)

6 | DANGEROUS MUSIC
4. LEFT & RIGHT HIGH FREQUENCY LEVEL CONTROLS
[
left and right high frequency level controls pictured above
]
Feature: Individual Left and Right Controls.
Benefit: Identical to the low frequency level controls, discrete left and right controls allow for the correction of any stereo high
frequency imbalance in .5 dB steps. Left channel need a hint more than the right? Bring it up a half dB or so as
needed.
Feature: Stepped attenuators.
Benefit: Stepped knobs provide for the repetition of previous settings with deadly accuracy. Producer requesting a touch more
air? Return to your prior settings and add judiciously as required.
5. HIGH FREQUENCY SHELF
[
high frequency shelf knob pictured above
]
Feature: Broad bandwidth shelving EQ that affects several octaves.
Benefit: Instead of a surgical or chainsaw EQ that targets problems like string buzz, but often comes with an audio sacrifice,
the BAX EQ is shapely, sweet with minimized phase delay for subtle, sexy sonic sculpting.
Tip:
,
The frequencies noted on the faceplate reside in the middle of this slope, thus corresponding with the most audible
band. The highest frequency shoulder is approximately twice the listed frequency (where the cut/boost is exactly 5dB).
So for example, when modifying 1.6kHz, a 5dBu boost occurs at 3.2kHz.